"MG series mixers are lightweight, portable designs. C models feature simple one-knob compression controls on key channels to achieve great vocal sounds. Other features include 3-band EQ, 4 stereo inputs, 3 aux sends, illuminated channel On switches, phantom power, external power supply, inserts, and more. Versatile Connectivity and Pro-class Connectors Top-mounted input and output connectors make setting up and re-patching your system quick and easy. All models feature high-quality Neutrik™ balanced XLR connectors on mono microphone\/line channels and XLR-equipped stereo channels. These professional-class connectors were subjected to extensive testing by the Yamaha design team, and were chosen for the MG mixers for their superior reliability and sonic qualities. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channels provide phone jack and pin jack connectors for compatibility with a wide range of sources. Mono input channels also feature insert I\/O connectors that let you patch external signal processing gear into those channels as required. Separate pinjack 2TR inputs are provided to accept the output from a CD player or similar stereo source. Built-in Channel Compressors This advanced feature can be a tremendous advantage in achieving great vocal sound, as well as to refine the sound of bass, guitar, and other sources. You won't find built-in channel compression on too many other mixers in this class, but in the new MG mixers you have Yamaha's innovative one-knob compression feature on several of the mono input channels. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and timeconsuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want. High-performance Microphone Preamplifiers with Switchable Phantom Power Microphone preamplifiers are critical in any mixer, and a performance bottleneck in many. That's why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. Gain trim covers a wide - 60dB ~ -16dB range for microphones (-34dB ~ +10dB for line input), so you'll be able to achieve optimum level matching with just about any source. All microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones. 3-band Channel EQ and High-pass Filters Building a truly useful, musical-sounding channel equalizer is no easy task, but Yamaha has decades of experience in building pro consoles to draw on. You reap the benefits in the MG series mixers: all mono channels feature 3-band equalizers with LOW, MID, and HIGH controls. Depending on the model some of all of the stereo channels have 2-band EQ for smooth equalization of stereo sources. Although not directly related to the equalizer circuitry, all inputs also feature 80 Hz low-pass filters that can be used to eliminate subsonic noise that is outside the equalizers' range. Bright Meters for Visual Level Monitoring Accurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read multi-segment LED meters make it easy to control system levels for optimum overall performance. Easy Operation All switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback."

这24输入模式适合严重的现场声音应用，其中大量的来源必须处理有效。MG24\/14FX功能内置双雅马哈SPX效果处理器，所以你有一切你需要的伟大的声音权利在控制台。辅助总线和组总线的综合补充提供广泛的混合和信号路由功能。混合通道:16个单声道+ 4个立体声组:4个 AUX: 8个(2x备选)主:立体声单声道输入通道功能:CH1-16: HPF 3波段中扫PEQ Intert I\/O;CH17-24: 4波段PEQ 输出通道功能:LPF on Mono输出板上处理器:2x SPX Mic输入:16 幽灵功率:+48V DC;每8ch 线开关:4x立体控制:脚踏开关

这32输入模式适合严重的现场声音应用程序，其中大量的来源必须处理有效。MG32\/14FX功能内置双雅马哈SPX效果处理器，所以你有一切你需要的伟大的声音权利在控制台。辅助总线和组总线的综合补充提供广泛的混合和信号路由功能。混合通道:24单声道+ 4立体声组:4 AUX: 8 (2x备选)主:立体声单声道输入通道功能:CH1-24: HPF 3波段中扫PEQ Intert I\/O;CH25-32: 4波段PEQ 输出通道功能:LPF on Mono输出板上处理器:2x SPX Mic输入:24 幽灵功率:+48V DC;每8ch 线开关:4x立体控制:脚踏开关

"The A-16II allows individual performers to create custom monitor mixes tailored to their individual needs. Designed for use in live performance or in the studio, the A-16II Personal Mixer gives each performer control over channel volume, grouping, pan, stereo spread, and master volume and tone. Every Personal Mixer in a system can create a unique monitor mix for a performer. Users can save and recall up to sixteen custom mixes as presets in their Personal Mixer. Stereo output for wired or wireless The stereo output from the A-16II can be used to drive wired or wireless in-the-ear monitors, headphones, powered floor wedges, an amplifier, or spot monitors. The A-16II Personal Mixer is fully compatible with all Pro16® Series products, including Aviom's digital interface card for Yamaha® digital mixing consoles. Support for Aviom monitor mixing is available in the form of console interface cards from an ever- increasing list of digital console manufacturers including Digidesign®, Soundcraft®, Innovason®, etc. Daisy-chain and power Mixers can be daisy-chained or connected in parallel using an A-Net Distributor. Parallel connections also allow power to be supplied to the mixers over the Cat-5e cable. As with all Pro16 Series products, Cat-5e cable runs of up to 500 feet (150 meters) are possible between devices, and there is no limit to the number of mixers in a system.Audio Output: 1\/4-inch TRS stereo, headphone or line level Line\/Headphone TRS Output: Tip: Audio Left; Ring: Audio Right;Sleeve: Ground Auto-detects mono plugs A-Net Input\/Output: 1 A-Net input, 1 A-Net output; Category 5 (RJ45 connector) Digital to Analog Conversion Bit Depth: 24 bit Signal to Noise Ratio: (Referenced to 0dB) -103dB Latency: <0.880 msec (measured from analog input to analog output) Pro16 A-Net: uses unshielded Cat-5e UTP (or better) cable; maximum 500ft (150m) between devices Tone Controls: Treble +\/-12dB at 9kHz shelving Bass +\/-12dB at 160Hz shelving Maximum Levels (RMS): Line\/Headphone outs: 1.0 watt at 100 ohms Impedance: Line\/Headphone outs: 32 ohms Dimensions: 10.75\" (273 mm) wide x 5.6\" (142.2 mm) deep; 2.25\" (57.5 mm) high Weight: 3.4 lbs. (1.54 kg) Options: MT-1 Mic Stand Mount (uses 6-32 1\/4-inch screws) EB-1 Extension Bracket MT-X Expansion Box (requires MT-1)"

"The A-16R is a single-rack- space stereo digital mixer that can be added to any Pro16® network. Its versatile feature set makes it the ideal choice for a variety of applications on stage or in permanent installations. The A-16R gives each performer control over channel volume, grouping, pan, stereo spread, and master volume and tone. Users can save and recall up to sixteen custom mixes as presets in their A-16R Personal Mixer. Connectivity Options For performers using wireless in-ear systems and powered floor wedges, the A-16R couples the mixing features of the A-16II Personal Mixer with additional connectivity options. Balanced outputs on the rear panel (with both XLR and 1\/4\" jacks) and stereo balanced insert points simplify audio connections to external processors, amps, or wireless transmitters. A front-panel headphone jack is also provided. The rear-panel stereo Mix In jacks allow a local analog audio source, such as a click track or program material, to be added to the user's mix. A front-panel Mix In level control is also provided. The A-16R can be remote controlled by adding the A-16CS Control Surface, allowing the A-16R to be rack mounted in an off-stage location with wireless in-ear monitor gear, amplifiers, etc. The A-16R can also be controlled via MIDI as well as RS-232 using approved third-party control systems. Pro64 Compatibility Adding an ASI A-Net Systems Interface to a Pro64 network allows the A-16R to output any bank of 16 channels from the Pro64 network. Audio Outputs: Impedance matched output Headphone Output: Front panel; TRS; Tip: Audio Left; Ring: Audio Right; Sleeve: Ground Mix input, stereo: Balanced 1\/4\" TRS; front-panel volume control Insert send\/return: Balanced 1\/4\" TRS A-Net I\/O: 1 A-Net In, 1 A-Net Out; RJ45 connectors D\/A Conversion: 44.1\/48kHz, 24 bit Indicators: Pan: 5 LEDs, 4 red, 1 green; Channel Volume: 12 red LEDs Stereo Operation: Stereo Link, per channel pair; set at the input module; Variable pan\/spread per channel or channel pair Tone Controls: Treble: ±12dB at 9kHz shelving Bass: ±12dB at 160Hz shelving Output Impedance: 140 ohms Freq. Response: 4Hz-22kHz +0.2dB\/-3dB THD +N <0.003% Signal to Noise (unweighted): -90dB typical, A\/D to D\/A Measured from AN-16\/i to A-16II Crosstalk: -90dB Latency : <0.880 msec (measured from analog input to analog output) Pro16 A-Net: uses unshielded Cat-5e UTP (or better) cable; maximum 500ft (150m) between device Remote Control: A-16CS: A-Control, RJ45 jack, max. 200 ft. (60m) Compatible with select third-party RS- 232 controllers"

"This progressive 4 -channel DJ mixer is designed for DJ's of all abilities and experience from top pro DJ's to bedroom enthusiasts who want a compact quality mixer with pro features to mix any source - whether vinyl, CD or MP3. The USB port allows easy connection to a computer and the integration of digital media, which can be used to play back music files from a laptop, record mixes, or used with music software. The revolutionary 'X-FX' control allows easy signal routing to external FX in combination with the Xone VCF filter system. Brimming with features, this compact mixer is a favourite in many DJ studios, bars and clubs."

这三通道混频器有一个功能设置，在这个水平上是首屈一指的。著名的Xone VCF包括，高通，带通和低通滤波器开关，谐振控制和tap可编程的低频振荡器，而所有的过滤器设置可以保存到任何四个数字召回设置(DRS)存储器给予前所未有的控制音乐。结合著名的Xone音质，Xone:32是一个一流的行为，也是为数不多的小型格式混频器，这是安装在专业俱乐部电路足够好。

这款模拟\/数字混音器给了我们足够的理由来切换到数字。以计算机为基础的dj想要一种替代的方式来移动数字音频\从和到声卡，同时保持最大的保真度。该DN-X900提供4同轴数字输入24位数字处理和2数字输出，为CD-R燃烧器或计算机的记录目的与一个独特的轨迹标记ID功能!坚如磐石的结构，卓越的音质，高质量的部件和可靠性是核心设计成分。独特的功能提供移动和俱乐部dj的灵活性和直观的控制。八通道输入矩阵路由给自由移动任何源到任何通道或相同的源到多个通道重新混合。前fader水平计量和增益控制和长60mm平滑通道fader是单独更换与可选旋钮(ACD-46)。三波段EQ与全输出杀死，摊位输出与通道选择，2麦克风输入与talkover灵敏度和效果发送/返回提示，干\/湿旋钮和通道选择，使这是您一直等待的混频器。

a - 16cs控制表面允许a - 16r个人混频器安装在机架与电源放大器，无线发射机，效果等，同时仍然允许表演者有完全控制混合功能和预置。此外，A-16CS提供直观的控制基本混合功能的系统在非性能设置。 A-16CS的用户界面类似于A-16II个人混频器的用户界面，提供对频道音量、分组、pan、立体声传播以及主音量和音调的控制。可从a - 16cs 远程保存和召回多达16个混合快照(存储在a - 16r中)，以便免提操作，a - 16cs还包括一个脚开关插孔，允许表演者使用标准的双键盘脚开关来选择混合预置。 A-16CS通过标准Cat-5e电缆连接到A-16R，使用内置在A-16R和A-16CS中的a -控制插孔。a -控制电缆的长度可达200英尺(61米)。

"TWO PROCESSORS. TWO UNIQUE APPLICATIONS. ONE RACK SPACE. 32 LEGENDARY LEXICON® EFFECTS. ENDLESS POSSIBILITIES. Whether you're looking for raw processing power with instant front-panel access for live performance, or seeking rich, smooth and complex processing algorithms in the studio, Lexicon® brings the best of both worlds together in the MX200 Dual Reverb\/Effects Processor. Designed with both live sound reinforcement and home recording in mind, MX200 features the deep, rich reverb and effects algorithms that built the Lexicon legend, and adds increased versatility with specialty effects and dbx® dynamics. Each of the 32 stunning reverbs and effects - and their parameters - are all instantly accessible within a single button push or knob turn on the intelligently designed front panel without wading through bank after bank of tedious menus. Add powerful Editor\/Librarian and VST® \/ Audio Units software, and bring 35 years of Lexicon heritage to your desktop. STUDIO OPERATION In the studio, advances in computer-based recording have led many engineers to value the instant control and heads-up use of plug-in effects - but many still yearn for the rich, complex sound found in a dedicated hardware processor. Now, Lexicon provides a USB interface with intuitive cross-platform VST® and Audio Unit plug-in windows, allowing the MX200 to function as a \"hardware plug-in\" - recognized and functioning within VST and Audio Units-compatible DAWs as a plug-in effect, but still operating as a dedicated hardware unit. This unique USB plug-in feature allows users to easily control the MX200 in their computer-based recordings within the graphical interface that appears in the recording application like a plug-in, with full automation and recall features. Now software-based recording engineers can stay focused on the heart of their studio - the application window of their recording software. A powerful cross-platform Editor\/Librarian software package is included as well. MX-Edit™ lets you create, edit, compare, save and load reverb and effects programs for use with your MX200 on your Mac® or Windows® XP computer. LIVE OPERATION Those using the MX200 in the live arena will appreciate its intuitive front panel layout, with an Active Reverb\/Effects Matrix that constantly displays which two of the 32 available effects are active, and all functions available within a single button-push turn of a knob. Dual independent processor control areas with dedicated Effects Select, Tempo, Bypass and three parameter control knobs provide instant access with precise and meaningful control over the most critical parameters for the selected effect. Parameter change LEDs illuminate to indicate any change from the 99 meticulously crafted Factory or 99 User Programs. Choose from five digitally-recorded audio samples to Audition the selected effects. SPLIT PERSONALITY Either way you choose to use the MX200 - live or in the studio - you can choose two legendary Lexicon® reverbs and effects at once in one of four flexible routing options including: Dual Mono, Cascade, Dual Stereo (Parallel), or Mono Split. Featuring 99 carefully crafted Factory programs, and 99 User programs that allow you to create your own legendary effects. Front panel controls include Input Level, Mix 1 and Mix 2 Wet\/Dry controls, Routing button, independent Tempo, Bypass and 3 control knobs for each Processor, Program Select knob, Audition button (to preview the selected effect) and Store button."

"The versatile Atlas Sound TSD-RL21 2x1 mic\/line mixer is ideal for applications where paging, public address, and BGM music is required. Use as a standalone remote mixer or in conjunction with Atlas Sound power amplifiers in applications such as conference center meeting rooms, football stadiums, gymnasiums, retail\/hospitality or other areas requiring versatile, multi-source mix control. Channel one may be configured via rear panel dipswitch to accommodate mic or line level while channel two features a stereo summing RCA line level input. Both inputs are adjustable by front panel controls with removable knobs, which may be easily replaced by security, covers to prevent tampering. The remote level control feature allows use of the Atlas Sound AAVC-10K (or equivalent) decorative wall plate control for convenient remote adjustment of either the entire mix bus or RCA input 2 only (the typical BGM input). The TSD-RL21 is highly efficient and meets Energy Star standards as one 24V DC power supply (available separately) can power multiple Atlas Time Saving Devices. Unbalanced Input Impedance: 10KO Input Level: 316mV (-10dBV) = 2V (+6dBV) Balanced Output Balanced Input Impedance: 1.2KO Balanced, 600O Unbalanced Line Input Level: 1V (0dBV) Balanced 2V (+6dBV) Balanced Output Mic Input Level: 46dB Gain 10mV (-40dBV) Balanced = 2V (+6dbV) Balanced Output Balanced Line Output Impedance: 300O Balanced, 150O Unbalanced Line Output Level: 1V (0dBV) In = 2V (+6dBV) Frequency Response: 20Hz - 20kHz (+\/-1dB) THD: .06% & 1kHz Signal to Noise Ratio: Line to Line 85dBV Signal to Noise Ratio: Mic to Line 70dBV 24VDC Power Requirements: 60mA"

Samson的TXM桌面电源混频器功能录音控制台规格，工作室的质量效果和功率负载，设计作为一个便携式但强大的现场声音应用解决方案。TXM16是一个16通道功率的混频器，可选择功率放大器模式设置为500瓦的功率每通道，或1000瓦的桥接单声道。它具有8个高质量的麦克风前置放大器与幻影功率，通道插入和低削减滤波器。1\/4寸手机和免提®输出。3波段EQ预通道，3 Aux发送，和一个内部24位效果处理器与100预置程序。有1立体声9波段图形EQ为mains加1单声道9波段图形EQ为监视器，和一个单声道子输出与可变低通滤波器。一个大型金属抓手手柄和机架安装工具包的TXM16包括使它完美地适合固定安装。

Samson的新的TXM动力桌面混音器功能的录音控制台规格，工作室质量效果和电源负载，设计作为一个便携式但强大的现场音响应用解决方案。TXM20是一个20通道供电的混频器，可选择功率放大器模式设置为500瓦的功率每通道，或1000瓦的桥接单声道。它具有12个高品质的麦克风前置放大器与幻影功率，通道插入和低切割lters。1\/4寸手机和免提®输出。3波段EQ预通道，4 Aux发送，和双内部24位效果处理器与100预置程序。有一个立体声9波段图形EQ为mains + 1单声道9波段图形EQ为监视器，和一个单声道子输出可变低通lter。所有这些加上一个大的金属提手使TXM20同样适合演奏的音乐家或盒装安装。

"ZED-10 is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in\/out making it easy to capture stereo recordings Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3\/CD players or keyboards. Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send\/return configurations:- Send options: 1) Main Mix Left + Right (Post master Level) 2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send) 3) Record Bus Left + Right (Separate stereo bus to Main Mix) Return Options: 1) To Playback input (through jack socket break contacts) 2) To Stereo 2 channel (through jack socket break contacts) MusiQ ZED-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments. Guitar DI ZED-10's pre-amps are similar in design to our MixWizard range of mixers, but with a twist! Inputs 3 & 4 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain \"Boost\" switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character."

"ZED-10FX is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in\/out making it easy to capture stereo recordings. Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3\/CD players or keyboards. Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. We've added a set of fabulous effects to give shimmering reverbs and enhance your sound. USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send\/return configurations:- Send options: 1) Main Mix Left + Right (Post master Level) 2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send) 3) Record Bus Left + Right (Separate stereo bus to Main Mix) Return Options: 1) To Playback input (through jack socket break contacts) 2) To Stereo 2 channel (through jack socket break contacts) MusiQ ZED-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments. ZED-FX ZED-10FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up\/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.Guitar DI ZED-10's pre-amps are similar in design to our MixWizard range of mixers, but with a twist! Inputs 3 & 4 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain \"Boost\" switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character."

"ZED-12FX is ideal for groups who need to travel light. Even with its small footprint, the 12FX squeezes in 4 auxiliary channels and swept semi-parametric EQ on top of the already impressive feature set including configurable USB audio in\/out makes it easy to capture stereo recordings. USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send\/return configurations:- Send options: 1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-FX Return options: 1) To Stereo 3 channel MusiQ ZED-12FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments. DuoPre™ Based on the proven pre-amps from the hugely successful PA series, ZED-12FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.ZED-FX ZED-12FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up\/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS. SONAR X1 LE - Provided Free! We've included Cakewalk SONAR X1 LE with ZED-12FX so you can immediately start to use it to create your own music - just add a PC and it couldn't be easier to get going. You'll be able to record from your ZED mixer, create tracks and arrange songs, then play back to ZED via the USB port. You can use SONAR X1 LE and your ZED mixer together in many ways - e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop. Key Features • Powered by SONAR X1 • 32 audio tracks • 64 MIDI tracks • 8 simultaneous inputs and outputs • 24-bit\/96 kHz audio quality • 24 simultaneous effects • 8 simultaneous virtual instruments"

"ZED-14 is a fantastic entry-level mixer for small bands, solo performers or AV applications. Its comprehensive feature set, compact size and fine lines combine to make it one of the best small mixers around. Provided with configurable USB audio in\/out makes it easy to capture stereo recordings, 6 mic or line inputs, 4 stereo inputs with EQ, there are an incredible 157 controls on the front panel of the ZED-14. This is a mixer for anyone, from entry-level to professionals, who appreciates fantastic sound, rugged build quality and imaginative feature sets. It'll be equally happy running your gig on stage, recording live or mixing down in your studio at home. We've teamed up with major software supplier, Cakewalk, to bundle its SONAR X1 LE music creation and audio production software with ZED, giving you a fantastic, high spec digital audio workstation. USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send\/return configurations:- Send options: 1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-4 Return options: 1) To Stereo 3 channel MusiQ ZED-14 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.DuoPre™ Based on the proven pre-amps from the hugely successful PA series, ZED-14 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance. SONAR X1 LE - Provided Free! We've included Cakewalk SONAR X1 LE with ZED-14 so you can immediately start to use it to create your own music - just add a PC and it couldn't be easier to get going. You'll be able to record from your ZED mixer, create tracks and arrange songs, then play back to ZED via the USB port. You can use SONAR X1 LE and your ZED mixer together in many ways - e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop. Key Features • Powered by SONAR X1 • 32 audio tracks • 64 MIDI tracks • 8 simultaneous inputs and outputs • 24-bit\/96 kHz audio quality • 24 simultaneous effects • 8 simultaneous virtual instruments"

控制你的声音!有了PreSonus studiolive系列数字混音器，您不仅可以得到高端的声音和巨大的处理、混音和录音力量，您可以控制所有这些声音可能从几乎任何地方。想要触摸你的混合与真实的推杆和旋钮的物理反馈和直观的，类似的用户界面，StudioLive提供了大时间;声音健全的人谁只有混合模拟板很快变得舒适的工作与StudioLive。尽管它类似的混合表面，然而，这是一个非常多的数字控制台，它提供的功能没有模拟混合器—和很少的数字板—可以匹配。例如，从笔记本电脑控制StudioLive混合器的能力增加了巨大的灵活性和便利性—，与捆绑的虚拟StudioLive双向控制\/编辑\/图书管理员软件，你可以免费得到它。添加第三方VPN软件，你甚至可以控制StudioLive搅拌机在互联网\ u2014理想的承包商。要得到一台与之竞争的计算机控制的搅拌机，甚至接近这个完整，你将不得不支付几倍的钱。到目前为止，还好，如果你是在混音台工作的话。但如果你也可以在一个场地或录音室里走动，并使用无线iPad控制你的混音器，那将真的是太棒了!完成了，PreSonus为iPad提供的免费StudioLive遥控器。StudioLive Remote很容易使用，提供了对StudioLive几乎所有功能的控制，外观和感觉都像一个iPad应用程序。你用PreSonus studiolive系列搅拌机所得到的控制水平是超酷的—it's absolutely ice!现在你可以控制你的声音从任何地方你选择—no限制!只吃甜桐。\ n看到它。碰它。改变它:模拟的容易满足数字的力量。当我们设计StudioLive时，我们的主要目标之一是提供一个熟悉的界面，以保持所有关键控件的可见性和可访问性—not隐藏在多个菜单中。坐在StudioLive 16.4.2，你会看到真正的硬件静音和单音按钮，装饰控制，和明确标记，为半参数EQ和动力学处理的单个旋钮。主节\ u2014完整与对讲，监视器，线索，和耳机源的选择\ u2014看起来就像一个模拟板上的主节，但有更多的权力和灵活性。Aux发送有自己的控制。每个频道都有一个大而明亮的仪表显示器。

我们革命性的MX200和MX400改变了一切。一个伟大的声音的硬件词典混响—加上能力，把该权力的工作，作为您的DAW工作流程的一部分，通过PC VST®和Mac® AU插件。现在，我们已经将MX400的大部分特性集合打包到超便宜的MX300中。所有参数的混响，延迟和动态效果，在这个电站处理器可在任何PC VST®或Macintosh® AU兼容的DAW程序。只需将您的计算机连接到MX300与USB电缆和控制自动化和召回参数完全一样，您将与任何软件插件。你得到的声音的好处只有Lexicon硬件可以提供…而不阻塞您的计算机的CPU与极端要求的混响插件。与我们独特的\"硬件插件\"为PC和Mac®，我们还包括了MX-Edit™图书管理员软件，以便您可以存储和召回自定义程序或拉起无限数量的词典设置。我们敦促你们对MX300与价格相当的竞争对手和价格高得多的单元进行一次认真的并排听力测试。你会听到为什么Lexicon是反响效应的领导者。为什么不把前所未有的力量和连接的MX300工作在您的产品当钱不是对象，辞典被写进更多的主要旅游骑手比任何其他品牌的混响。但当钱是一个问题，你仍然可以拥有丰富的，详细的纹理，使词汇听起来独一无二。这里是一个完整的arsenel的声音和仪器增强效果，包括16 Lexicon混响，7延迟，真正的dbx®压缩和解压缩和调制效果，将使任何性能听起来更好。我们设计的MX300是非常容易使用在要求现场声音的情况。一旦一个程序被选中，你就可以立即访问三个参数旋钮—，而不必通过额外的菜单来浏览。您可以编程整个晚上的预置，并快速拨号与专用程序选择旋钮和明亮的LED显示。像Lexicon公司生产的每一款产品一样，MX300的设计能够经受多年的颠簸、碰撞、插装、插装、限电和电涌。这只是在这个价格上提供的最现场的混响。从五个效果路由选项 MX300让你切换效果路由容易通过前面板控制，所以你不必花时间在你的机架改变电缆。双单声道分别通过Effect 1和Effect 2发送左右输入信号。每个信号然后被路由到它各自的输出，完全独立于另一个。级联(串联)首先通过效应1发送左、右输入信号，然后通过效应2发送，然后以立体声信号的形式发送到各自的输出。双立体声(平行)路径的左和右输入信号分别通过这两种效果。然后将两种效果的输出信号混合在一起，并以单一立体声信号的形式发送到两种输出。 Mono Split左输入信号通过Effect 1发送，右输入信号通过Effect 2发送。然后将两种效果的输出信号混合在一起，并以单一立体声信号的形式发送到两种输出。立体路由为左右信号提供单一立体效果路径。该路由删除了用户的一个效果模块，用户需要一个简化的信号路径，只有一个效果满足他们的需要—，但利用了所有MX300的处理马力。

"The TSD-MIX31RL 3x1 mic\/line mixer includes two mic\/balanced line inputs via removable Phoenix style connectors and a stereo summing dual RCA input. Switchable phantom power is provided for both mic inputs to facilitate condenser microphones. The high quality, low noise internal mic preamps ensure clarity and quiet operation without unwanted coloration. A 12dB \/ octave high pass filter @ 125Hz also is available on each input to minimize bass rumble and low frequency feedback. Priority paging can be accomplished via contact closure or VOX trigger on Input 1 (mutes input 3 only). Remote level control feature allows use of the AAVC-10K (or equivalent) decorative wall plate control for convenient remote adjustment of either the entire mix bus or input 3 only (typical BGM input). A variable output limiter provides system protection by reducing clipping and distortion - which is especially useful when mixing multiple mics and\/or line sources with varying volumes. Unbalanced Input Impedance: 10KO Input Level: 316mV (-10dBV) = 2V (+6dBV) Balanced Output Balanced Input Impedance: 1.2KO Balanced, 600O Unbalanced Phantom Power: 24VDC Defeatable Low Cut Filter: 125Hz\/12dB Defeatable Line Input Level: 1V (0dBV) Balanced 2V (+6dBV) Balanced Output Mic Input Level: 46dB Gain 10mV (-40dBV) Balanced = 2V (+6dbV) Balanced Output Output impedance: 300O Balanced, 150O Unbalanced Line Output Level: 1V (0dBV) In = 2V (+6dBV) Frequency Response: 20Hz - 20kHz (+\/-1dB) THD .06% & 1kHz Signal to Noise Ratio: Line to Line 85dBV Signal to Noise Ratio: Mic to Line 70dBV 24VDC Power Requirements: 60mA"

皇冠1400是一款商业/工业混合机，适用于学校、医院、餐馆、工厂等。特性包括总结的RCA\/bal。凤凰输入，平衡凤凰出局，24V辅助电源终端，优先鸭，低音\/高音锅。皇冠公司的商业音频单元是商业声音的明智选择，可以轻松配置为多种用途，如传呼、背景音乐、安全和疏散指示。

"The TSD-MIX41 4x1 mic\/line mixer is ideal for applications where multiple mic or line sources need to be sub mixed or summed. In house of worship applications the TSD-MIX41 is especially useful for combining similar sources such as choir microphones to a single mixer channel. The unit also works well as a stand-alone mic\/line mixer that can be easily interfaced with Atlas Sound amplifiers. Other applications include restaurants, conference rooms, and schools. Each input is mic\/line switchable with phantom power provided for condenser microphones. The high quality, low noise internal mic preamps ensure clarity and quiet operation without unwanted coloration. A 12dB\/octave high pass filter @ 125Hz also is available on each input to minimize bass rumble and low frequency feedback. Input impedance: 1.2KO Balanced, 600O Unbalanced Phantom Power: 24VDC Defeatable Low Cut Filter: 125Hz\/12dB Defeatable Line Input Level: 1V (0dBV) Balanced 2V (+6dBV) Balanced Output Mic Input Level: 46dB Gain 10mV (-40dBV) Balanced = 2V (+6dbV) Balanced Output Output impedance: 300O Balanced, 150O Unbalanced Line Output Level: 1V (0dBV) In = 2V (+6dBV) Frequency Response: 20Hz - 20kHz (+\/-1dB) THD: .06% & 1kHz Signal to Noise Ratio: Line to Line 85dBV Signal to Noise Ratio: Mic to Line 78dBV 24VDC Power Requirements: 60mA"

使用Lexicon硬件的强大功能进行插件编程和回忆。你想要的丰富，甜美的声音，定义的工作室混响三十年:一个真正的词典硬件处理器。但你也想在你的DAW程序中灵活地编写高质量的效果…不用占用CPU或者使用昂贵的处理卡。拥有所有与MX400。所有的参数的混响，延迟和动态效应在这发电站四处理器内部任何AU兼容的DAW程序。只需将您的电脑连接到MX400与USB电缆和控制所有自动化和召回参数，就像您将与任何软件插件—，同时享受只有Lexicon硬件可以提供的声学好处。与我们独特的\"硬件插件\"为PC和Mac®，我们还包括了MX-Edit™图书管理员软件，以便您可以存储和召回自定义程序或拉出您的选择223真正的词典设置，包括25专用环绕程序。从本质上说，MX400具备了你对这家发明数字混响的公司的所有期望。十七个词汇混响，延迟和调制效应加上dbx®压缩和处理。宽大的液晶显示屏和舒适的大旋钮，你可以把你的手。在你的词典经销商那里得到一个演示。然后踏上创造成功的道路。 4-IN\/4-OUT多功能，动手控制和路面加固施工。满足最Lexicon power提供在一个超级负担得起的1RU效果处理器。非常适合乐队，教堂和俱乐部。我们知道你需要能够迅速作出改变，所以我们设计的MX400的直观的前面板是一个光溜溜的最小的旋钮调整远离任何调整或效果变化。例如，三个独立的，可分配的参数控制意味着你不需要通过页面菜单来微调混响尾巴。因为您可以使用它内置的dbx®压缩和解压缩与混响，所以MX400是驯服有问题的声乐家的完美工具。最后，你可以依靠MX400多年来，通过无数的装入和装入—虽然它的声音是a -studio质量，我们设计的MX400经得起灰尘，水分，冲击，功率浪涌和所有其他苛刻的现场声音使用。七效果路由选项的MX400让你切换效果路由自动通过前面板控制，所以你不必花时间后，yoru机架更换电缆，立即重新用途它的四个强大的处理器。从基本的四单声道，到sterero到更复杂的双立体配置，你可以在拧一个旋钮。

为Ashly ne24.24m DSP主机增加4个输入