这款模拟\/数字混音器给了我们足够的理由来切换到数字。以计算机为基础的dj想要一种替代的方式来移动数字音频\从和到声卡，同时保持最大的保真度。该DN-X900提供4同轴数字输入24位数字处理和2数字输出，为CD-R燃烧器或计算机的记录目的与一个独特的轨迹标记ID功能!坚如磐石的结构，卓越的音质，高质量的部件和可靠性是核心设计成分。独特的功能提供移动和俱乐部dj的灵活性和直观的控制。八通道输入矩阵路由给自由移动任何源到任何通道或相同的源到多个通道重新混合。前fader水平计量和增益控制和长60mm平滑通道fader是单独更换与可选旋钮(ACD-46)。三波段EQ与全输出杀死，摊位输出与通道选择，2麦克风输入与talkover灵敏度和效果发送/返回提示，干\/湿旋钮和通道选择，使这是您一直等待的混频器。

a - 16cs控制表面允许a - 16r个人混频器安装在机架与电源放大器，无线发射机，效果等，同时仍然允许表演者有完全控制混合功能和预置。此外，A-16CS提供直观的控制基本混合功能的系统在非性能设置。 A-16CS的用户界面类似于A-16II个人混频器的用户界面，提供对频道音量、分组、pan、立体声传播以及主音量和音调的控制。可从a - 16cs 远程保存和召回多达16个混合快照(存储在a - 16r中)，以便免提操作，a - 16cs还包括一个脚开关插孔，允许表演者使用标准的双键盘脚开关来选择混合预置。 A-16CS通过标准Cat-5e电缆连接到A-16R，使用内置在A-16R和A-16CS中的a -控制插孔。a -控制电缆的长度可达200英尺(61米)。

"TWO PROCESSORS. TWO UNIQUE APPLICATIONS. ONE RACK SPACE. 32 LEGENDARY LEXICON® EFFECTS. ENDLESS POSSIBILITIES. Whether you're looking for raw processing power with instant front-panel access for live performance, or seeking rich, smooth and complex processing algorithms in the studio, Lexicon® brings the best of both worlds together in the MX200 Dual Reverb\/Effects Processor. Designed with both live sound reinforcement and home recording in mind, MX200 features the deep, rich reverb and effects algorithms that built the Lexicon legend, and adds increased versatility with specialty effects and dbx® dynamics. Each of the 32 stunning reverbs and effects - and their parameters - are all instantly accessible within a single button push or knob turn on the intelligently designed front panel without wading through bank after bank of tedious menus. Add powerful Editor\/Librarian and VST® \/ Audio Units software, and bring 35 years of Lexicon heritage to your desktop. STUDIO OPERATION In the studio, advances in computer-based recording have led many engineers to value the instant control and heads-up use of plug-in effects - but many still yearn for the rich, complex sound found in a dedicated hardware processor. Now, Lexicon provides a USB interface with intuitive cross-platform VST® and Audio Unit plug-in windows, allowing the MX200 to function as a \"hardware plug-in\" - recognized and functioning within VST and Audio Units-compatible DAWs as a plug-in effect, but still operating as a dedicated hardware unit. This unique USB plug-in feature allows users to easily control the MX200 in their computer-based recordings within the graphical interface that appears in the recording application like a plug-in, with full automation and recall features. Now software-based recording engineers can stay focused on the heart of their studio - the application window of their recording software. A powerful cross-platform Editor\/Librarian software package is included as well. MX-Edit™ lets you create, edit, compare, save and load reverb and effects programs for use with your MX200 on your Mac® or Windows® XP computer. LIVE OPERATION Those using the MX200 in the live arena will appreciate its intuitive front panel layout, with an Active Reverb\/Effects Matrix that constantly displays which two of the 32 available effects are active, and all functions available within a single button-push turn of a knob. Dual independent processor control areas with dedicated Effects Select, Tempo, Bypass and three parameter control knobs provide instant access with precise and meaningful control over the most critical parameters for the selected effect. Parameter change LEDs illuminate to indicate any change from the 99 meticulously crafted Factory or 99 User Programs. Choose from five digitally-recorded audio samples to Audition the selected effects. SPLIT PERSONALITY Either way you choose to use the MX200 - live or in the studio - you can choose two legendary Lexicon® reverbs and effects at once in one of four flexible routing options including: Dual Mono, Cascade, Dual Stereo (Parallel), or Mono Split. Featuring 99 carefully crafted Factory programs, and 99 User programs that allow you to create your own legendary effects. Front panel controls include Input Level, Mix 1 and Mix 2 Wet\/Dry controls, Routing button, independent Tempo, Bypass and 3 control knobs for each Processor, Program Select knob, Audition button (to preview the selected effect) and Store button."

"The versatile Atlas Sound TSD-RL21 2x1 mic\/line mixer is ideal for applications where paging, public address, and BGM music is required. Use as a standalone remote mixer or in conjunction with Atlas Sound power amplifiers in applications such as conference center meeting rooms, football stadiums, gymnasiums, retail\/hospitality or other areas requiring versatile, multi-source mix control. Channel one may be configured via rear panel dipswitch to accommodate mic or line level while channel two features a stereo summing RCA line level input. Both inputs are adjustable by front panel controls with removable knobs, which may be easily replaced by security, covers to prevent tampering. The remote level control feature allows use of the Atlas Sound AAVC-10K (or equivalent) decorative wall plate control for convenient remote adjustment of either the entire mix bus or RCA input 2 only (the typical BGM input). The TSD-RL21 is highly efficient and meets Energy Star standards as one 24V DC power supply (available separately) can power multiple Atlas Time Saving Devices. Unbalanced Input Impedance: 10KO Input Level: 316mV (-10dBV) = 2V (+6dBV) Balanced Output Balanced Input Impedance: 1.2KO Balanced, 600O Unbalanced Line Input Level: 1V (0dBV) Balanced 2V (+6dBV) Balanced Output Mic Input Level: 46dB Gain 10mV (-40dBV) Balanced = 2V (+6dbV) Balanced Output Balanced Line Output Impedance: 300O Balanced, 150O Unbalanced Line Output Level: 1V (0dBV) In = 2V (+6dBV) Frequency Response: 20Hz - 20kHz (+\/-1dB) THD: .06% & 1kHz Signal to Noise Ratio: Line to Line 85dBV Signal to Noise Ratio: Mic to Line 70dBV 24VDC Power Requirements: 60mA"

MDR1064是一个10通道混频器与6低噪音麦克风前置放大器。6个mic\/线输入和两个立体声输入，每个功能3波段均衡器加上两个aux发送。MDR1064的主部分包括两个立体声aux返回和一个用于播放立体声设备和录制混音的2轨输入和输出。MDR1064拥有干净、清晰的声音再现、甜美的均衡和灵活的信号路由，确保了从性能到性能的可靠、高质量的声音。优化为录音，现场强化和商业安装，MRD1064是一个理想的混合解决方案提供大的声音在一个紧凑的包。与Samson的所有MDR混频器一样，MDR1064具有先进的电路设计，使用离散组件和高质量、低噪声运算放大器，在信号路径的每个阶段都经过精心挑选，为您提供最大的动态范围和透明的音频信号，为您的现场或录制的音乐。

"ZED-10 is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in\/out making it easy to capture stereo recordings Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3\/CD players or keyboards. Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send\/return configurations:- Send options: 1) Main Mix Left + Right (Post master Level) 2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send) 3) Record Bus Left + Right (Separate stereo bus to Main Mix) Return Options: 1) To Playback input (through jack socket break contacts) 2) To Stereo 2 channel (through jack socket break contacts) MusiQ ZED-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments. Guitar DI ZED-10's pre-amps are similar in design to our MixWizard range of mixers, but with a twist! Inputs 3 & 4 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain \"Boost\" switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character."

"ZED-10FX is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in\/out making it easy to capture stereo recordings. Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3\/CD players or keyboards. Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. We've added a set of fabulous effects to give shimmering reverbs and enhance your sound. USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send\/return configurations:- Send options: 1) Main Mix Left + Right (Post master Level) 2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send) 3) Record Bus Left + Right (Separate stereo bus to Main Mix) Return Options: 1) To Playback input (through jack socket break contacts) 2) To Stereo 2 channel (through jack socket break contacts) MusiQ ZED-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments. ZED-FX ZED-10FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up\/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.Guitar DI ZED-10's pre-amps are similar in design to our MixWizard range of mixers, but with a twist! Inputs 3 & 4 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain \"Boost\" switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character."

"ZED-12FX is ideal for groups who need to travel light. Even with its small footprint, the 12FX squeezes in 4 auxiliary channels and swept semi-parametric EQ on top of the already impressive feature set including configurable USB audio in\/out makes it easy to capture stereo recordings. USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send\/return configurations:- Send options: 1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-FX Return options: 1) To Stereo 3 channel MusiQ ZED-12FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments. DuoPre™ Based on the proven pre-amps from the hugely successful PA series, ZED-12FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.ZED-FX ZED-12FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up\/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS. SONAR X1 LE - Provided Free! We've included Cakewalk SONAR X1 LE with ZED-12FX so you can immediately start to use it to create your own music - just add a PC and it couldn't be easier to get going. You'll be able to record from your ZED mixer, create tracks and arrange songs, then play back to ZED via the USB port. You can use SONAR X1 LE and your ZED mixer together in many ways - e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop. Key Features • Powered by SONAR X1 • 32 audio tracks • 64 MIDI tracks • 8 simultaneous inputs and outputs • 24-bit\/96 kHz audio quality • 24 simultaneous effects • 8 simultaneous virtual instruments"

"ZED-14 is a fantastic entry-level mixer for small bands, solo performers or AV applications. Its comprehensive feature set, compact size and fine lines combine to make it one of the best small mixers around. Provided with configurable USB audio in\/out makes it easy to capture stereo recordings, 6 mic or line inputs, 4 stereo inputs with EQ, there are an incredible 157 controls on the front panel of the ZED-14. This is a mixer for anyone, from entry-level to professionals, who appreciates fantastic sound, rugged build quality and imaginative feature sets. It'll be equally happy running your gig on stage, recording live or mixing down in your studio at home. We've teamed up with major software supplier, Cakewalk, to bundle its SONAR X1 LE music creation and audio production software with ZED, giving you a fantastic, high spec digital audio workstation. USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send\/return configurations:- Send options: 1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-4 Return options: 1) To Stereo 3 channel MusiQ ZED-14 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.DuoPre™ Based on the proven pre-amps from the hugely successful PA series, ZED-14 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance. SONAR X1 LE - Provided Free! We've included Cakewalk SONAR X1 LE with ZED-14 so you can immediately start to use it to create your own music - just add a PC and it couldn't be easier to get going. You'll be able to record from your ZED mixer, create tracks and arrange songs, then play back to ZED via the USB port. You can use SONAR X1 LE and your ZED mixer together in many ways - e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop. Key Features • Powered by SONAR X1 • 32 audio tracks • 64 MIDI tracks • 8 simultaneous inputs and outputs • 24-bit\/96 kHz audio quality • 24 simultaneous effects • 8 simultaneous virtual instruments"

控制你的声音!有了PreSonus studiolive系列数字混音器，您不仅可以得到高端的声音和巨大的处理、混音和录音力量，您可以控制所有这些声音可能从几乎任何地方。想要触摸你的混合与真实的推杆和旋钮的物理反馈和直观的，类似的用户界面，StudioLive提供了大时间;声音健全的人谁只有混合模拟板很快变得舒适的工作与StudioLive。尽管它类似的混合表面，然而，这是一个非常多的数字控制台，它提供的功能没有模拟混合器—和很少的数字板—可以匹配。例如，从笔记本电脑控制StudioLive混合器的能力增加了巨大的灵活性和便利性—，与捆绑的虚拟StudioLive双向控制\/编辑\/图书管理员软件，你可以免费得到它。添加第三方VPN软件，你甚至可以控制StudioLive搅拌机在互联网\ u2014理想的承包商。要得到一台与之竞争的计算机控制的搅拌机，甚至接近这个完整，你将不得不支付几倍的钱。到目前为止，还好，如果你是在混音台工作的话。但如果你也可以在一个场地或录音室里走动，并使用无线iPad控制你的混音器，那将真的是太棒了!完成了，PreSonus为iPad提供的免费StudioLive遥控器。StudioLive Remote很容易使用，提供了对StudioLive几乎所有功能的控制，外观和感觉都像一个iPad应用程序。你用PreSonus studiolive系列搅拌机所得到的控制水平是超酷的—it's absolutely ice!现在你可以控制你的声音从任何地方你选择—no限制!只吃甜桐。\ n看到它。碰它。改变它:模拟的容易满足数字的力量。当我们设计StudioLive时，我们的主要目标之一是提供一个熟悉的界面，以保持所有关键控件的可见性和可访问性—not隐藏在多个菜单中。坐在StudioLive 16.4.2，你会看到真正的硬件静音和单音按钮，装饰控制，和明确标记，为半参数EQ和动力学处理的单个旋钮。主节\ u2014完整与对讲，监视器，线索，和耳机源的选择\ u2014看起来就像一个模拟板上的主节，但有更多的权力和灵活性。Aux发送有自己的控制。每个频道都有一个大而明亮的仪表显示器。

我们革命性的MX200和MX400改变了一切。一个伟大的声音的硬件词典混响—加上能力，把该权力的工作，作为您的DAW工作流程的一部分，通过PC VST®和Mac® AU插件。现在，我们已经将MX400的大部分特性集合打包到超便宜的MX300中。所有参数的混响，延迟和动态效果，在这个电站处理器可在任何PC VST®或Macintosh® AU兼容的DAW程序。只需将您的计算机连接到MX300与USB电缆和控制自动化和召回参数完全一样，您将与任何软件插件。你得到的声音的好处只有Lexicon硬件可以提供…而不阻塞您的计算机的CPU与极端要求的混响插件。与我们独特的\"硬件插件\"为PC和Mac®，我们还包括了MX-Edit™图书管理员软件，以便您可以存储和召回自定义程序或拉起无限数量的词典设置。我们敦促你们对MX300与价格相当的竞争对手和价格高得多的单元进行一次认真的并排听力测试。你会听到为什么Lexicon是反响效应的领导者。为什么不把前所未有的力量和连接的MX300工作在您的产品当钱不是对象，辞典被写进更多的主要旅游骑手比任何其他品牌的混响。但当钱是一个问题，你仍然可以拥有丰富的，详细的纹理，使词汇听起来独一无二。这里是一个完整的arsenel的声音和仪器增强效果，包括16 Lexicon混响，7延迟，真正的dbx®压缩和解压缩和调制效果，将使任何性能听起来更好。我们设计的MX300是非常容易使用在要求现场声音的情况。一旦一个程序被选中，你就可以立即访问三个参数旋钮—，而不必通过额外的菜单来浏览。您可以编程整个晚上的预置，并快速拨号与专用程序选择旋钮和明亮的LED显示。像Lexicon公司生产的每一款产品一样，MX300的设计能够经受多年的颠簸、碰撞、插装、插装、限电和电涌。这只是在这个价格上提供的最现场的混响。从五个效果路由选项 MX300让你切换效果路由容易通过前面板控制，所以你不必花时间在你的机架改变电缆。双单声道分别通过Effect 1和Effect 2发送左右输入信号。每个信号然后被路由到它各自的输出，完全独立于另一个。级联(串联)首先通过效应1发送左、右输入信号，然后通过效应2发送，然后以立体声信号的形式发送到各自的输出。双立体声(平行)路径的左和右输入信号分别通过这两种效果。然后将两种效果的输出信号混合在一起，并以单一立体声信号的形式发送到两种输出。 Mono Split左输入信号通过Effect 1发送，右输入信号通过Effect 2发送。然后将两种效果的输出信号混合在一起，并以单一立体声信号的形式发送到两种输出。立体路由为左右信号提供单一立体效果路径。该路由删除了用户的一个效果模块，用户需要一个简化的信号路径，只有一个效果满足他们的需要—，但利用了所有MX300的处理马力。

"ZED-22FX is ideal for groups who need to travel light. Featuring configurable USB audio in\/out makes it easy to capture stereo recordings. The ZED-22FX easily accommodates vocals, drums, guitar, bass and keys whilst also providing a dedicated FX bus and 16 internal time-delay effects - giving the whole mix extra ambience. USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send\/return configurations:- Send options: 1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-FX Return options: 1) To Stereo 3 channel MusiQ ZED-22FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments. DuoPre™ Based on the proven pre-amps from the hugely successful PA series, ZED-22FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.ZED-FX ZED-22FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up\/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS. SONAR X1 LE - Provided Free! We've included Cakewalk SONAR X1 LE with ZED-22FX so you can immediately start to use it to create your own music - just add a PC and it couldn't be easier to get going. You'll be able to record from your ZED mixer, create tracks and arrange songs, then play back to ZED via the USB port. You can use SONAR X1 LE and your ZED mixer together in many ways - e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop. Key Features • Powered by SONAR X1 • 32 audio tracks • 64 MIDI tracks • 8 simultaneous inputs and outputs • 24-bit\/96 kHz audio quality • 24 simultaneous effects • 8 simultaneous virtual instruments"

"Control Your Sound Your Way! With a PreSonus StudioLive-series digital mixer, you not only get high-end sound and tremendous processing, mixing, and recording power, you can control all of this sonic might from virtually anywhere. Want to touch your mix with the physical feedback of real faders and rotary knobs and an intuitive, analog-like user interface The StudioLive delivers big time; sound people who have only mixed with analog boards quickly become comfortable working with a StudioLive. Despite its analog-like mixing surface, however, this is very much a digital console, and it offers features no analog mixer—and very few digital boards—can match. For example, the ability to control the StudioLive mixer from a laptop adds tremendous flexibility and convenience—and with the bundled Virtual StudioLive bidirectional control\/editor\/librarian software, you get it all for free. Add third-party VPN software, and you can even control StudioLive mixers over the Internet—ideal for contractors. To get a competing mixer with computer control even close to this complete, you'd have to pay several times as much. So far, so good—if you work from the mixing station. But if you could also walk around a venue or recording studio and remain in control of your mixer using a wireless iPad, that would really be sweet! Done, with PreSonus' free StudioLive Remote for iPad. StudioLive Remote is easy to use, provides control of almost every feature of the StudioLive, and looks and feels like an iPad app should. The level of control you get with PreSonus StudioLive-series mixers is beyond cool—it's absolutely ice! Now you can control your sound from anywhere you choose—no limits! Only with PreSonus StudioLive. See it. Touch it. Change it: the ease of analog meets the power of digital. When we designed StudioLive, one of our primary goals was to provide a familiar interface that would keep all critical controls visible and accessible—not buried inside multiple menus. Sit down at a StudioLive 24.4.2, and you see real hardware Mute and Solo buttons, trim controls, and clearly labeled, individual knobs for the parametric EQ and dynamics processing. The master section—complete with Talkback, Monitor, Cue, and a choice of headphone sources—looks just like the master section on an analog board but with far more power and flexibility. Aux sends have their own controls. Every channel has a big, bright meter display.Not just effects. Effects you'd expect from a $600 stand-alone processor. You get two programmable, 32-bit, stereo DSP effects engines, loaded with 50 reverbs, delays, and time-based effects that you can really use. The reverbs are so rich and detailed that you feel like you're there. Delays are precise. Slap echo sounds like old-school tape effects. All 50 effects have easy-to-use parameter adjustment, tap tempo, store, recall, and Scene selection for ultimate creative flexibility. The StudioLive 24.4.2's 4 dual, 31-band graphic equalizers can be applied to the main, subgroup, and aux outputs so you can compensate for room acoustics, speaker response, and much more. All of these features add up to a lot of settings to remember and reset at every performance. That's where the power of digital comes in: StudioLive lets you save all of your digital settings for quick setup and recall. Save Scenes that include every setting on the mixer or save just the Fat Channel settings. Copy-and-paste settings across multiple channels. Save individual DSP effects for ultimate ease, speed, and control. This means that for fixed applications like clubs, churches, and auditoriums, you can always count on the same sound and can fine-tune Scenes for different songs and call them up instantly. And it lets rank amateur volunteers successfully operate the StudioLive 24.4.2. We've included a whole library of individual channel settings as starting points for optimizing the sound of instruments, vocals, and spoken word. An AutoStore feature regularly saves your current settings in case the power fails. Recording made easy. If you have a computer with 6-pin FireWire, you have a 26-track digital recorder instantly ready to capture your gig, church service, or presentation. Just two mouse clicks engages Capture™ recording software. Studio One Artist™ digital audio workstation lets you edit and enhance to your heart's content. StudioLive 24.4.2 features a tightly integrated FireWire interface that delivers up to 32 channels of recording and up to 26 channels of simultaneous playback. Each FireWire recording channel can be set to record either pre- or post-Fat Channel signal processing, delivering total flexibility and power. Because StudioLive 24.4.2 can so easily return FireWire playback channels from your computer, you can pull off nifty tricks. You can soundcheck your band and fine-tune the P.A. in a new venue, even when the band's not there yet. Or create backing tracks at your studio and seamlessly blend them with live performances."

"The TSD-MIX31RL 3x1 mic\/line mixer includes two mic\/balanced line inputs via removable Phoenix style connectors and a stereo summing dual RCA input. Switchable phantom power is provided for both mic inputs to facilitate condenser microphones. The high quality, low noise internal mic preamps ensure clarity and quiet operation without unwanted coloration. A 12dB \/ octave high pass filter @ 125Hz also is available on each input to minimize bass rumble and low frequency feedback. Priority paging can be accomplished via contact closure or VOX trigger on Input 1 (mutes input 3 only). Remote level control feature allows use of the AAVC-10K (or equivalent) decorative wall plate control for convenient remote adjustment of either the entire mix bus or input 3 only (typical BGM input). A variable output limiter provides system protection by reducing clipping and distortion - which is especially useful when mixing multiple mics and\/or line sources with varying volumes. Unbalanced Input Impedance: 10KO Input Level: 316mV (-10dBV) = 2V (+6dBV) Balanced Output Balanced Input Impedance: 1.2KO Balanced, 600O Unbalanced Phantom Power: 24VDC Defeatable Low Cut Filter: 125Hz\/12dB Defeatable Line Input Level: 1V (0dBV) Balanced 2V (+6dBV) Balanced Output Mic Input Level: 46dB Gain 10mV (-40dBV) Balanced = 2V (+6dbV) Balanced Output Output impedance: 300O Balanced, 150O Unbalanced Line Output Level: 1V (0dBV) In = 2V (+6dBV) Frequency Response: 20Hz - 20kHz (+\/-1dB) THD .06% & 1kHz Signal to Noise Ratio: Line to Line 85dBV Signal to Noise Ratio: Mic to Line 70dBV 24VDC Power Requirements: 60mA"

皇冠1400是一款商业/工业混合机，适用于学校、医院、餐馆、工厂等。特性包括总结的RCA\/bal。凤凰输入，平衡凤凰出局，24V辅助电源终端，优先鸭，低音\/高音锅。皇冠公司的商业音频单元是商业声音的明智选择，可以轻松配置为多种用途，如传呼、背景音乐、安全和疏散指示。

"The TSD-MIX41 4x1 mic\/line mixer is ideal for applications where multiple mic or line sources need to be sub mixed or summed. In house of worship applications the TSD-MIX41 is especially useful for combining similar sources such as choir microphones to a single mixer channel. The unit also works well as a stand-alone mic\/line mixer that can be easily interfaced with Atlas Sound amplifiers. Other applications include restaurants, conference rooms, and schools. Each input is mic\/line switchable with phantom power provided for condenser microphones. The high quality, low noise internal mic preamps ensure clarity and quiet operation without unwanted coloration. A 12dB\/octave high pass filter @ 125Hz also is available on each input to minimize bass rumble and low frequency feedback. Input impedance: 1.2KO Balanced, 600O Unbalanced Phantom Power: 24VDC Defeatable Low Cut Filter: 125Hz\/12dB Defeatable Line Input Level: 1V (0dBV) Balanced 2V (+6dBV) Balanced Output Mic Input Level: 46dB Gain 10mV (-40dBV) Balanced = 2V (+6dbV) Balanced Output Output impedance: 300O Balanced, 150O Unbalanced Line Output Level: 1V (0dBV) In = 2V (+6dBV) Frequency Response: 20Hz - 20kHz (+\/-1dB) THD: .06% & 1kHz Signal to Noise Ratio: Line to Line 85dBV Signal to Noise Ratio: Mic to Line 78dBV 24VDC Power Requirements: 60mA"

使用Lexicon硬件的强大功能进行插件编程和回忆。你想要的丰富，甜美的声音，定义的工作室混响三十年:一个真正的词典硬件处理器。但你也想在你的DAW程序中灵活地编写高质量的效果…不用占用CPU或者使用昂贵的处理卡。拥有所有与MX400。所有的参数的混响，延迟和动态效应在这发电站四处理器内部任何AU兼容的DAW程序。只需将您的电脑连接到MX400与USB电缆和控制所有自动化和召回参数，就像您将与任何软件插件—，同时享受只有Lexicon硬件可以提供的声学好处。与我们独特的\"硬件插件\"为PC和Mac®，我们还包括了MX-Edit™图书管理员软件，以便您可以存储和召回自定义程序或拉出您的选择223真正的词典设置，包括25专用环绕程序。从本质上说，MX400具备了你对这家发明数字混响的公司的所有期望。十七个词汇混响，延迟和调制效应加上dbx®压缩和处理。宽大的液晶显示屏和舒适的大旋钮，你可以把你的手。在你的词典经销商那里得到一个演示。然后踏上创造成功的道路。 4-IN\/4-OUT多功能，动手控制和路面加固施工。满足最Lexicon power提供在一个超级负担得起的1RU效果处理器。非常适合乐队，教堂和俱乐部。我们知道你需要能够迅速作出改变，所以我们设计的MX400的直观的前面板是一个光溜溜的最小的旋钮调整远离任何调整或效果变化。例如，三个独立的，可分配的参数控制意味着你不需要通过页面菜单来微调混响尾巴。因为您可以使用它内置的dbx®压缩和解压缩与混响，所以MX400是驯服有问题的声乐家的完美工具。最后，你可以依靠MX400多年来，通过无数的装入和装入—虽然它的声音是a -studio质量，我们设计的MX400经得起灰尘，水分，冲击，功率浪涌和所有其他苛刻的现场声音使用。七效果路由选项的MX400让你切换效果路由自动通过前面板控制，所以你不必花时间后，yoru机架更换电缆，立即重新用途它的四个强大的处理器。从基本的四单声道，到sterero到更复杂的双立体配置，你可以在拧一个旋钮。

皇冠28M是一款商业/工业混合机，适用于学校、医院、餐馆、工厂等。特性包括总结的RCA\/bal。凤凰输入，平衡凤凰出局，24V辅助电源终端，优先鸭，低音\/高音锅。皇冠公司的商业音频单元是商业声音的明智选择，可以轻松配置为多种用途，如传呼、背景音乐、安全和疏散指示。

"The Rane AM2 is both an 8 channel, gain-sharing automatic mic mixer and simultaneously a Rane RAD. Use it as a standalone mic-only mixer, add more gain-shared mics using up to seven additional AM2 Automixers, and\/or use the RAD Port to transport the mic mix via a Rane Mongoose to a CobraNet network. If you need manually mixed line audio sources, including USB Audio I\/O, see the Rane AM1 Automixer. Each of the eight XLR Mic Inputs offers front panel input Level controls feeding a gain-sharing automatic mixer. Rear panel, 3-position selectors support dynamic mics (no phantom power), condenser mics (48 V), or line input optimized for wireless receiver outputs (+10 dBu max). All Level controls come with front panel signal and overload indicators. The AM2 is optimized for automixing speech. The mic inputs have a fixed 100 Hz to 7 kHz bandpass filter to provide the best voice-only automatic mixing using the gain-sharing algorithm. The XLR Main Output can be set to mic- or line-level to feed a mic snake or a +20 dBu max balanced input. When an AM2 is used standalone, both the XLR Output and the RAD Port output audio are affected by the front panel Output Level control. When the AM2's Cascade Output feeds a downstream Rane AM1 or AM2, the front panel Output Level control only affects the XLR Output. The USB port is solely used as a firmware update port if future updates are needed. The RAD Port sends the AM2 Output mix to a Rane Mongoose for routing to output RADs and\/or a CobraNet network. Cascade IN accepts audio and data from an upstream AM2's Cascade OUT. This adds eight more mic channels to the initial AM 2 creating a 16-channel gain-sharing automix. A maximum of eight AM2s can be cascaded, offering up to 64 gain-shared mics. If an AM1 is included, it must be the final device in the chain of no more than eight. Simply connect Cascade OUT ports to Cascade IN ports and the AM1 RAD Port to the Mongoose. Both the Cascade IN port and the Cascade OUT\/RAD Port have status indicators to aid setup and troubleshooting. Rear panel Fault, Locate, USB and Power indicators inform head-scratchers of device errors, the AM2's physical location, positive USB audio device OS registration and AC power status. Duplicate Locate and Power indicators on the front help installers physically locate and verify AC power to the AM2. Universal IEC power on the rear supports 100 to 240 VAC and 50\/60 Hz. The AM2 is UL Listed and CE Certified."

"The TASCAM LM-8ST is a 1-space rackmountable line mixer for installation, studio submixing, keyboardists or anyone looking for a great-sounding mix. Eight pairs of balanced 1\/4\" TRS inputs - switchable from +4 or -10dB - can be bussed to a pair of XLR balanced outputs, labeled ST1 and ST2\/AUX. Pre or post-fader bussing is available for the alternate buss, and master output level controls and metering keep signals under control. A microphone input is also provided for announcements or performance. Packed with high-quality audio components, the TASCAM LM-8ST is perfect for any live performance or installation."

"The WZ3 16:2 is a versatile, easy to use 16 mic\/line channel mixer - the next generation of this industry standard multi-purpose design. Now in its 3rd generation, the legendary MixWizard range builds on its market leading status by adding a new mic preamp design and advanced grounding scheme, which both further enhance sonic quality. Other improvements include individual phantom power switches, channel signal indicators, lamp socket and backup supply capability."