TMP Pro Distribution
The Music People 是一家成熟的国际企业对企业供应商,为音乐零售商和音响承包商提供音乐乐器配件和专业音频设备。作为始终如一的 Music Trades 全球 100 强供应商,我们很自豪能够支持 80 个国家/地区的表演者。The Music People 成立于 1979 年,由家族所有并经营了 40 多年。2020年,我们携手Exertis | Jam,北美领先的乐器、专业音频、专业照明和消费电子产品分销商。我们的员工和领导层将他们的知识和能力贡献给两个品牌部门:700 多种乐器配件和支架的 On-Stage,设计师、制造商和供应商,以及 200 多种专业音频、视频、灯饰、配件品牌。The Music People 成功支持世界各地的表演者和承包商的关键是培养一种重视与客户的长期关系的工作场所文化。该公司在 2013 年获得了 Hartford Business Journal 的家族企业奖,并四次获得 Hartford Courant 的最佳工作场所荣誉,最近一次是在 2021 年。TMP-Pro,The Music People 的专业音频、视频、灯光和专业配件部门,Exertis | Jam 业务经销 200 多个优质品牌,同时提供来自认证专家的产品建议和技术支持的附加值。我们强大的分销能力基于与知名品牌的牢固关系。我们提供逐项报价,并提供从单一联系点采购各种品牌的便利,没有最低订购要求。由于我们的认证专家了解如何设置和集成我们提供的专业音频产品,我们作为分销合作伙伴超出了预期。我们的专家包括音乐家和 AVL 安装专业人员,他们接受了我们分销的品牌的培训,使用的方法与品牌培训自己的技术人员的方法相同。对产品和系统的了解使我们的团队能够熟练地团结起来,并将项目成功所必需的项目联系起来。
  • TMP Pro Distribution 38875 混音器和控制台

    Soundcraft还推出了另一款快速增长的新Soundcraft系列产品——多格式低成本EPM混音器。 Soundcraft EPM的重点是非常坚定的质量构建和音频性能,与一个容易理解的控制表面没有不必要的设施,Soundcraft带来了新技术和想法,这是一个非常经济的范围。表面安装技术贯穿始终,使用紧密公差组件实现高精度和EQ和增益控制的可重复设置。高透明GB30 Mic amp(由Graham Blyth为公司成立30周年而设计,也用于较大的LX7ii和GB系列主机上)具有高分辨率的调整,增益范围为55dB,通过控制台提供了令人惊叹的+22dB净空。真正专业的48伏幻影电源满足电容器麦克风的所有类型。信号监控的一个独特特点是尖峰led。这使用多点信号起飞,以观察超载在通道带的几个部分,和led灯更明亮,当信号接近峰值点。为了平滑和准确的通道控制,EPM有60mm高质量的喇叭,作为使用在其他Soundcraft桌。监视器输出和耳机输出是并行工作的,这样当工程师在录音室的监视器上监听时,表演者仍然可以监听手机。模拟\/数字:模拟帧大小:8 立体通道:2 数字I\/O:无 FX处理器:0 组:0 EQ波段:3 辅助发送:2 返回:1 直接输出:无矩阵输出:0 主总线输出:LR"
  • TMP Pro Distribution 71763 混音器和控制台

    MT-X扩展盒为个人混频器的机箱和连接器提供坚固的保护,以及额外的音频连接选项,简化了几乎任何监控设备的连接。 MT-X与MT-1 Mic Stand Mount一起连接到个人搅拌机底面的内置安装孔上。配备MT-X的个人混频器被设计为通过Cat-5电缆从A-16D或A-16D Pro A-Net分配器供电。 MT-X连接音频连接包括1\/8英寸和1\/4英寸立体声耳机插孔以及单独的XLR左\/右不平衡线级音频输出。在MT-X上的a - net使用了一个重型锁定EtherCon®连接器。所有接头都在MT-X机箱的底面。 MT-X膨胀盒可以附在A-16II或原(已停产)的A-16个人搅拌机上。音频输出: 1\/4英寸TRS立体声,耳机或线电平; 1\/8英寸TRS立体声,耳机或线水平; XLR左右音频输出,不平衡"
  • TMP Pro Distribution 51530 混音器和控制台

    这款19\机架式混频器是专门设计用于教堂和表演场所的小型装置,或用于小型便携式扩音系统。它还将在广播中找到朋友,它的高质量和功能设置将非常吸引人。 GB2R 16提供16个单声道输入到一个立体声混合输出和6个辅助发送。一如既往地,Soundcraft控制台强调操作简单、清晰直观的布局和最高可能的音频性能。Soundcraft GB2R继承了GB4和GB8的GB30 Mic前置放大器和GB30均衡器设计。为便于安装,连接器部分包含在一个可旋转的吊舱中,如果放在桌面上,则允许电缆从搅拌机顶部进入,如果安装在一个19\"机架上,则允许电缆从后部进入。每个输入都有前置/后可切换的直接输出用于记录或效果发送,而内部通用电压PSU避免外部电源连接。整个GB系列带有高品质的标志,与Soundcraft是同义词,与工程和设计,正如你所期望的,从这个高端制造商。仔细注意已给予机械结构,以确保可靠性和艰苦的条件下,与所有输入模块被建造与个别垂直安装的pcb,安装到钢底盘前面板与个别螺母电位。模拟\/数字:模拟帧大小:16 立体通道:2 数字I\/O:无 FX处理器:0 组:2 EQ波段:4 辅助发送:6 返回:2 直接输出:是矩阵输出:0 主总线输出:LR"
  • TMP Pro Distribution 37370 混音器和控制台

    在GB4系列中,我们对机械结构给予了仔细的关注,以确保在艰苦条件下的可靠性,所有的输入模块都是由独立的垂直安装的pcb构成,安装在钢制底盘前面板上的独立的电位计。 GB系列还分享了时髦的外观的MH4, MH3和LX7ii主机,继续强大的家族外观和感觉横跨范围。可提供16至40个频道,GB4是专为教堂、表演场地等装置或小型巡回音响系统而设计的。在MH3和MH4课桌上成功实现的双模拓扑允许GB4用于FOH或监控任务,并对组或辅助输出进行fader控制。虽然GB4在布局上很大程度上是传统的,但它确实有一些独特的机械特性。坚固的钢底盘有一个倾斜后连接器面板,使它更容易配置从前台的桌子,而整体电源有一个外部备份PSU的链接选项。四个静音组允许几个频道同时静音,而另一个独特的设施是一组专用记录输出的限制器,使其更容易创建立体声混音录音。控制台还具有一个输出矩阵,从组总线和主要L、R和C(单声道)输出提供7个馈入到4个输出。 GB4提供了一套全面的功能和设施,在一个小的和经济的足迹,并提供了高性能和可靠性,您将期望从一个Soundcraft产品。模拟\/数字:模拟帧大小:32 立体通道:2 数字I\/O:无 FX处理器:0 组:4 EQ波段:4 辅助发送:8 返回:3 直接输出:是矩阵输出:4 主总线输出:LRC"
  • TMP Pro Distribution 37035 混音器和控制台

    GB8有24到48个频道,每个频道有4个全功能立体声频道和4个立体声回播,是专为教堂和表演场所等设施,或小型巡回音响系统设计的。在MH3和MH4课桌上成功实现的双模拓扑结构允许GB8用于FOH或监控任务,并对组或辅助输出进行fader控制。在GB4上的附加功能包括一个1kHz振荡器和一个有三个led米的米桥,非常接近地模拟了VU米的弹道。四个静音组允许几个频道同时静音,而另一个独特的设施是在记录和备用立体声输出上的限制器,这使创建混音立体声录音更容易。控制台还具有一个输出矩阵,十一个馈电到四个输出,从组总线和主要的L、R和C(单声道)输出馈电。虽然GB8在布局上很大程度上是传统的,但它确实有一些独特的机械特性。坚固的钢底盘有一个倾斜后连接器面板,使它更容易配置从前台的桌子,而整体电源有一个外部备份PSU的链接选项。正如您所期望的,GB4和GB8桌椅都是高品质的标志,音响工艺是工程和设计的同义词。仔细注意已给予机械结构,以确保在艰苦的条件下的可靠性,与所有输入模块被建造与个别垂直安装的pcb,安装到钢底盘的前面板与个别螺母电位。 GB系列还分享了时髦的外观的MH4, MH3和LX7ii主机,继续强大的家族外观和感觉横跨范围。模拟\/数字:模拟帧大小:32 立体频道:4 数字I\/O:无 FX处理器:0 组:8 EQ波段:4 辅助发送:8 返回:5 直接输出:是矩阵输出:4 主总线输出:LRC"
  • TMP Pro Distribution 36085 混音器和控制台

    GB8有24到48个频道,每个频道有4个全功能立体声频道和4个立体声回播,是专为教堂和表演场所等设施,或小型巡回音响系统设计的。在MH3和MH4课桌上成功实现的双模拓扑结构允许GB8用于FOH或监控任务,并对组或辅助输出进行fader控制。在GB4上的附加功能包括一个1kHz振荡器和一个有三个led米的米桥,非常接近地模拟了VU米的弹道。四个静音组允许几个频道同时静音,而另一个独特的设施是在记录和备用立体声输出上的限制器,这使创建混音立体声录音更容易。控制台还具有一个输出矩阵,十一个馈电到四个输出,从组总线和主要的L、R和C(单声道)输出馈电。虽然GB8在布局上很大程度上是传统的,但它确实有一些独特的机械特性。坚固的钢底盘有一个倾斜后连接器面板,使它更容易配置从前台的桌子,而整体电源有一个外部备份PSU的链接选项。正如您所期望的,GB4和GB8桌椅都是高品质的标志,音响工艺是工程和设计的同义词。仔细注意已给予机械结构,以确保在艰苦的条件下的可靠性,与所有输入模块被建造与个别垂直安装的pcb,安装到钢底盘的前面板与个别螺母电位。 GB系列还分享了时髦的外观的MH4, MH3和LX7ii主机,继续强大的家族外观和感觉横跨范围。模拟\/数字:模拟帧大小:40 立体通道:4 数字I\/O:无 FX处理器:0 组:8 EQ波段:4 辅助发送:8 返回:5 直接输出:是矩阵输出:4 主总线输出:LRC"
  • TMP Pro Distribution 38832 混音器和控制台

    GB8有24到48个频道,每个频道有4个全功能立体声频道和4个立体声回播,是专为教堂和表演场所等设施,或小型巡回音响系统设计的。在MH3和MH4课桌上成功实现的双模拓扑结构允许GB8用于FOH或监控任务,并对组或辅助输出进行fader控制。在GB4上的附加功能包括一个1kHz振荡器和一个有三个led米的米桥,非常接近地模拟了VU米的弹道。四个静音组允许几个频道同时静音,而另一个独特的设施是在记录和备用立体声输出上的限制器,这使创建混音立体声录音更容易。控制台还具有一个输出矩阵,十一个馈电到四个输出,从组总线和主要的L、R和C(单声道)输出馈电。虽然GB8在布局上很大程度上是传统的,但它确实有一些独特的机械特性。坚固的钢底盘有一个倾斜后连接器面板,使它更容易配置从前台的桌子,而整体电源有一个外部备份PSU的链接选项。正如您所期望的,GB4和GB8桌椅都是高品质的标志,音响工艺是工程和设计的同义词。仔细注意已给予机械结构,以确保在艰苦的条件下的可靠性,与所有输入模块被建造与个别垂直安装的pcb,安装到钢底盘的前面板与个别螺母电位。 GB系列还分享了时髦的外观的MH4, MH3和LX7ii主机,继续强大的家族外观和感觉横跨范围。模拟\/数字:模拟帧大小:48 立体通道:4 数字I\/O:无 FX处理器:0 组:8 EQ波段:4 辅助发送:8 返回:5 直接输出:是矩阵输出:4 主总线输出:LRC"
  • TMP Pro Distribution 39341 混音器和控制台

    GL2400是一个紧凑的,双功能,LR, Mono sum, 4组,6 aux, 7x4矩阵控制台。帧大小范围从16到40个频道,包括2个双立体声频道。 GL2400是一个混合经典,行业标准的场所和雇佣仓库在全球范围内。GL2400是一款极致的4组双功能混合器,它是为最新的现代工程技术而设计的,在这款独特的小足迹混合器中,每一个细节都经过仔细考虑,以提供最佳的混合体验。
  • TMP Pro Distribution 52818 混音器和控制台

    "GL2800 is a compact, dual function, LR, M, 8 group, 10 aux, 12x4 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels. • 2 extra dual stereos provide 4 summed or independent stereo returns • Fully featured 12x4 Matrix • Proper dual functionality for FoH\/Monitor mixing • Recording capable with channel direct outputs • M can be used for centre\/sub mix, LR mono sum, or engineers wedge • Matrix external inputs with level trims and common input capability • Stereo channel mic inputs can cross patch into matrix for ambience feed • Responsive 4 band, 2 sweep EQ • 100Hz channel high pass filters • Individual phantom power and polarity switching • Wide angle channel and master meters • Dedicated stereo monitor meters • Per channel pre\/post fader aux switching for full flexibility • Recessed pre\/post-EQ aux switching per channel • Internal jumper plugs for aux, direct out and other options • Mutes on all fader masters • 100mm dust protected faders • Assignable talkback to all outputs, includes a talk switch latch mode • 1kHz oscillator \/ pink noise generator with patchable external output • 2-track monitoring and replay to LR • 3 headphones\/earpiece sockets and local monitor outputs • Electronically balanced XLR outputs with +26dBu drive capability • Preamp 74dB range with +34dBu input capability for mic or line • Ultra low noise mix head amp design • Uses RPS11 high performance external linear power supply • Built-in combiner for redundant backup supply • Individual circuit card assembly with nutted pots • Sys-Link V2 console input\/output linking option • 4-pin XLR lamp sockets - Allen & Heath LEDlamp available"
  • TMP Pro Distribution 34045 混音器和控制台

    金封系列安瓿瓶为承包商提供了灵活的解决方案,而不需要输入模块。他们有4 XLR mic in,电话in, aux in,听觉兴奋器,声学EQ\/反馈控制,幻影功率,aux fade back,输入静音,和更多。
  • TMP Pro Distribution 50011 混音器和控制台

    金封系列安瓿瓶为承包商提供了灵活的解决方案,而不需要输入模块。他们有4 XLR mic in,电话in, aux in,听觉兴奋器,声学EQ\/反馈控制,幻影功率,aux fade back,输入静音,和更多。
  • TMP Pro Distribution 58394 混音器和控制台

    MMA系列混频器和混频器\/放大器提供定制设计选项,通过广泛的可选模块。常见功能包括8个MMA™Module端口,一个专用程序输入,高\/低EQ's,外部音量控制,静音总线,和可选的机架耳。输入:8个输入端口,每个接收任意输入\/输出模块;一个专用程序输入(双RCA唱机插孔),桥接进\出"
  • TMP Pro Distribution 50614 混音器和控制台

    "MG series mixers are lightweight, portable designs. C models feature simple one-knob compression controls on key channels to achieve great vocal sounds. Other features include 3-band EQ, 4 stereo inputs, 3 aux sends, illuminated channel On switches, phantom power, external power supply, inserts, and more. Versatile Connectivity and Pro-class Connectors Top-mounted input and output connectors make setting up and re-patching your system quick and easy. All models feature high-quality Neutrik™ balanced XLR connectors on mono microphone\/line channels and XLR-equipped stereo channels. These professional-class connectors were subjected to extensive testing by the Yamaha design team, and were chosen for the MG mixers for their superior reliability and sonic qualities. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channels provide phone jack and pin jack connectors for compatibility with a wide range of sources. Mono input channels also feature insert I\/O connectors that let you patch external signal processing gear into those channels as required. Separate pinjack 2TR inputs are provided to accept the output from a CD player or similar stereo source. Built-in Channel Compressors This advanced feature can be a tremendous advantage in achieving great vocal sound, as well as to refine the sound of bass, guitar, and other sources. You won't find built-in channel compression on too many other mixers in this class, but in the new MG mixers you have Yamaha's innovative one-knob compression feature on several of the mono input channels. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and timeconsuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want. High-performance Microphone Preamplifiers with Switchable Phantom Power Microphone preamplifiers are critical in any mixer, and a performance bottleneck in many. That's why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. Gain trim covers a wide - 60dB ~ -16dB range for microphones (-34dB ~ +10dB for line input), so you'll be able to achieve optimum level matching with just about any source. All microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones. 3-band Channel EQ and High-pass Filters Building a truly useful, musical-sounding channel equalizer is no easy task, but Yamaha has decades of experience in building pro consoles to draw on. You reap the benefits in the MG series mixers: all mono channels feature 3-band equalizers with LOW, MID, and HIGH controls. Depending on the model some of all of the stereo channels have 2-band EQ for smooth equalization of stereo sources. Although not directly related to the equalizer circuitry, all inputs also feature 80 Hz low-pass filters that can be used to eliminate subsonic noise that is outside the equalizers' range. Bright Meters for Visual Level Monitoring Accurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read multi-segment LED meters make it easy to control system levels for optimum overall performance. Easy Operation All switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback."
  • TMP Pro Distribution 36472 混音器和控制台

    这24输入模式适合严重的现场声音应用,其中大量的来源必须处理有效。MG24\/14FX功能内置双雅马哈SPX效果处理器,所以你有一切你需要的伟大的声音权利在控制台。辅助总线和组总线的综合补充提供广泛的混合和信号路由功能。混合通道:16个单声道+ 4个立体声组:4个 AUX: 8个(2x备选)主:立体声单声道输入通道功能:CH1-16: HPF 3波段中扫PEQ Intert I\/O;CH17-24: 4波段PEQ 输出通道功能:LPF on Mono输出板上处理器:2x SPX Mic输入:16 幽灵功率:+48V DC;每8ch 线开关:4x立体控制:脚踏开关
  • TMP Pro Distribution 50954 混音器和控制台

    这32输入模式适合严重的现场声音应用程序,其中大量的来源必须处理有效。MG32\/14FX功能内置双雅马哈SPX效果处理器,所以你有一切你需要的伟大的声音权利在控制台。辅助总线和组总线的综合补充提供广泛的混合和信号路由功能。混合通道:24单声道+ 4立体声组:4 AUX: 8 (2x备选)主:立体声单声道输入通道功能:CH1-24: HPF 3波段中扫PEQ Intert I\/O;CH25-32: 4波段PEQ 输出通道功能:LPF on Mono输出板上处理器:2x SPX Mic输入:24 幽灵功率:+48V DC;每8ch 线开关:4x立体控制:脚踏开关
  • TMP Pro Distribution 39203 混音器和控制台

    "A basic Hear Back system consists of a Hub and personal Mixers connected using standard CAT5E cables. A single Hub supplies signal and power to a maximum of eight Mixers. That's one for you and everybody in the band. If that's not enough, the Hubs can be daisy-chained using the HearBus In and Out for virtually unlimited system size. The Hear Back Hub can accept analog input signals from audio mixers, auxiliary, matrix, monitor, and\/or direct outputs. The ADAT input can come from digital audio workstations, digital recorders, or digital mixers. For front of house or remotely located digital mixers, we also have the Extreme Extender ADAT In\/Out that converts ADAT optical, which has very limited distance, to the HearBus for transmission of up to 500 feet. Our solution, Hear Back, has several key advantages: Virtually unlimited system size Very attractive pricing Excellent audio fidelity Built-in DSP Limiter Very long digital lines possible without loss of audio quality Audio inputs ADAT, analog, and the HearBus are switch selectable from the front panel. Local control of up to ten channels of audio (8 inputs plus a stereo Aux input) Master Volume (controls the level to the headphones, line outs and the Aux input to the line outputs) Built-in DSP Limiter (designed as a \"brick wall\" limiter for hearing protection and to protect monitor wedges from overload) Headphone amplifier fault indicator in case of over temperature, or a short, the red LED comes on to alert the user something is a problem. A second visual trouble shooting aid for the user is the Bus status indicator Link Indicators - Whenever two pairs of mono inputs are linked for stereo operation the link LED is illuminated Standard CAT5E power and signal Connection, cost effective, simple, non-obtrusive way to connect eight channels of audio. The Cable is held in place with a \"built-in cable strain relief\" Balanced Line-Outs, Mono\/Stereo Stereo AUX In Built-in Mic Stand Mount may be mounted to a standard mic stand or clipped onto a stand extension bar or clip High Power - Low Distortion Headphone Amplifiers One of the industry's most powerful headphone amplifiers"
  • TMP Pro Distribution 37971 混音器和控制台

    "The A-16II allows individual performers to create custom monitor mixes tailored to their individual needs. Designed for use in live performance or in the studio, the A-16II Personal Mixer gives each performer control over channel volume, grouping, pan, stereo spread, and master volume and tone. Every Personal Mixer in a system can create a unique monitor mix for a performer. Users can save and recall up to sixteen custom mixes as presets in their Personal Mixer. Stereo output for wired or wireless The stereo output from the A-16II can be used to drive wired or wireless in-the-ear monitors, headphones, powered floor wedges, an amplifier, or spot monitors. The A-16II Personal Mixer is fully compatible with all Pro16® Series products, including Aviom's digital interface card for Yamaha® digital mixing consoles. Support for Aviom monitor mixing is available in the form of console interface cards from an ever- increasing list of digital console manufacturers including Digidesign®, Soundcraft®, Innovason®, etc. Daisy-chain and power Mixers can be daisy-chained or connected in parallel using an A-Net Distributor. Parallel connections also allow power to be supplied to the mixers over the Cat-5e cable. As with all Pro16 Series products, Cat-5e cable runs of up to 500 feet (150 meters) are possible between devices, and there is no limit to the number of mixers in a system.Audio Output: 1\/4-inch TRS stereo, headphone or line level Line\/Headphone TRS Output: Tip: Audio Left; Ring: Audio Right;Sleeve: Ground Auto-detects mono plugs A-Net Input\/Output: 1 A-Net input, 1 A-Net output; Category 5 (RJ45 connector) Digital to Analog Conversion Bit Depth: 24 bit Signal to Noise Ratio: (Referenced to 0dB) -103dB Latency: <0.880 msec (measured from analog input to analog output) Pro16 A-Net: uses unshielded Cat-5e UTP (or better) cable; maximum 500ft (150m) between devices Tone Controls: Treble +\/-12dB at 9kHz shelving Bass +\/-12dB at 160Hz shelving Maximum Levels (RMS): Line\/Headphone outs: 1.0 watt at 100 ohms Impedance: Line\/Headphone outs: 32 ohms Dimensions: 10.75\" (273 mm) wide x 5.6\" (142.2 mm) deep; 2.25\" (57.5 mm) high Weight: 3.4 lbs. (1.54 kg) Options: MT-1 Mic Stand Mount (uses 6-32 1\/4-inch screws) EB-1 Extension Bracket MT-X Expansion Box (requires MT-1)"
  • TMP Pro Distribution 38466 混音器和控制台

    "The A-16R is a single-rack- space stereo digital mixer that can be added to any Pro16® network. Its versatile feature set makes it the ideal choice for a variety of applications on stage or in permanent installations. The A-16R gives each performer control over channel volume, grouping, pan, stereo spread, and master volume and tone. Users can save and recall up to sixteen custom mixes as presets in their A-16R Personal Mixer. Connectivity Options For performers using wireless in-ear systems and powered floor wedges, the A-16R couples the mixing features of the A-16II Personal Mixer with additional connectivity options. Balanced outputs on the rear panel (with both XLR and 1\/4\" jacks) and stereo balanced insert points simplify audio connections to external processors, amps, or wireless transmitters. A front-panel headphone jack is also provided. The rear-panel stereo Mix In jacks allow a local analog audio source, such as a click track or program material, to be added to the user's mix. A front-panel Mix In level control is also provided. The A-16R can be remote controlled by adding the A-16CS Control Surface, allowing the A-16R to be rack mounted in an off-stage location with wireless in-ear monitor gear, amplifiers, etc. The A-16R can also be controlled via MIDI as well as RS-232 using approved third-party control systems. Pro64 Compatibility Adding an ASI A-Net Systems Interface to a Pro64 network allows the A-16R to output any bank of 16 channels from the Pro64 network. Audio Outputs: Impedance matched output Headphone Output: Front panel; TRS; Tip: Audio Left; Ring: Audio Right; Sleeve: Ground Mix input, stereo: Balanced 1\/4\" TRS; front-panel volume control Insert send\/return: Balanced 1\/4\" TRS A-Net I\/O: 1 A-Net In, 1 A-Net Out; RJ45 connectors D\/A Conversion: 44.1\/48kHz, 24 bit Indicators: Pan: 5 LEDs, 4 red, 1 green; Channel Volume: 12 red LEDs Stereo Operation: Stereo Link, per channel pair; set at the input module; Variable pan\/spread per channel or channel pair Tone Controls: Treble: ±12dB at 9kHz shelving Bass: ±12dB at 160Hz shelving Output Impedance: 140 ohms Freq. Response: 4Hz-22kHz +0.2dB\/-3dB THD +N <0.003% Signal to Noise (unweighted): -90dB typical, A\/D to D\/A Measured from AN-16\/i to A-16II Crosstalk: -90dB Latency : <0.880 msec (measured from analog input to analog output) Pro16 A-Net: uses unshielded Cat-5e UTP (or better) cable; maximum 500ft (150m) between device Remote Control: A-16CS: A-Control, RJ45 jack, max. 200 ft. (60m) Compatible with select third-party RS- 232 controllers"
  • TMP Pro Distribution 53489 混音器和控制台

    "This progressive 4 -channel DJ mixer is designed for DJ's of all abilities and experience from top pro DJ's to bedroom enthusiasts who want a compact quality mixer with pro features to mix any source - whether vinyl, CD or MP3. The USB port allows easy connection to a computer and the integration of digital media, which can be used to play back music files from a laptop, record mixes, or used with music software. The revolutionary 'X-FX' control allows easy signal routing to external FX in combination with the Xone VCF filter system. Brimming with features, this compact mixer is a favourite in many DJ studios, bars and clubs."
  • TMP Pro Distribution 53488 混音器和控制台

    这三通道混频器有一个功能设置,在这个水平上是首屈一指的。著名的Xone VCF包括,高通,带通和低通滤波器开关,谐振控制和tap可编程的低频振荡器,而所有的过滤器设置可以保存到任何四个数字召回设置(DRS)存储器给予前所未有的控制音乐。结合著名的Xone音质,Xone:32是一个一流的行为,也是为数不多的小型格式混频器,这是安装在专业俱乐部电路足够好。
  • TMP Pro Distribution 49197 混音器和控制台

    "DN-X500 rackmount mobile\/club DJ mixer. Rock solid construction, superb audio fidelity, high quality parts, and of course reliability are the core ingredients of its design. The DN-X500's unique features provide Mobile and Club DJs tremendous flexibility and intuitive control. Eight-channel input matrix routing gives you the freedom to move any source to any channel or even the same source to multiple channels for remixing. Pre-fader level metering and gain control as well as Long 60 mm smooth channel faders are individually replaceable with our rotary knob option (ACD-46). Three-Band EQ with full output kill, booth output with channel select, two mic inputs with talkover sensitivity and effects send\/return with cue, dry\/wet knob and channel select should make this mixer the one you've been waiting for. Matrix Input Assignment No longer does your device need to be married to a particular Channel. Eight input sources are freely assignable to any channel or even multiple channels. 8 Line \/ 2 Phono Switchable 4 Smooth 60mm VCA Channel Faders Responsive 45mm VCA Cross Fader with Contour Adjust Independent Channel PFL Meters All input levels can be pre-adjusted in advance to match the gain levels, insuring a smooth transition between fades. Independent EQ On\/Off Switch Booth Output Assign Selector Pre-monitor any channel including Master through the booth output in the same manner as you would with your headphones, with volume control! External Send\/Return Control - Multi Channel Assignable - Effect On\/Off - Effect Cueing (Pre & Post) - Effect Dry\/Wet Knob Independent Channel A-B Post Switch (crossfader) Powerful Clean Headphone Output Fader Start (5V pulse) Cross Fader and Channel Fader-Start Trigger is compatible with all Denon DJ CD\/MP3 players. Other Features Compact 4U Rack Space with Recessed Rear Terminals Independent 3-band Main and Aux Mic EQ Independent CUE System (all channels) Mic Talkover Function with Sensitivity Adjustment Split \/Cue Headphone Monitor with PFL Metering Master Output -10dB Attenuation Switch Master Output Stereo\/Mono Switch Record Out - RCA\/Unbalanced Subwoofer\/Lighting Output with Frequency Adjust Ideal for powered speakers, powered amp or even a signal feed for lighting systems. Optional Rotary Knob Kit, Model: ACD-46 A DJ or club owner can easily swap out any Channel Fader (1 to 4) and replace them with our Optional ACD-46 Rotary Knob Kits, making the DN-X500 appealing to both Fader and Knob style DJs. With its powerful matrix routing option, it doesn't matter where they get installed."
1 2 3

查看更多

登录传感器专家网查看更多信息