"ZED-24 has an incredibly advanced feature-set for a mixer at this level - it has 23 independent sources to the mix, 10 independent outputs, 4 aux sends, Configurable USB audio in\/out makes it easy to capture stereo recordings, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-24 is so packed full of great features that you'd think it would cost much, much more! USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send\/return configurations:- Send options: 1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-FX Return options: 1) To Stereo 3 channel MusiQ ZED-22FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments. DuoPre™ Based on the proven pre-amps from the hugely successful PA series, ZED-22FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.SONAR X1 LE - Provided Free! We've included Cakewalk SONAR X1 LE with ZED-22FX so you can immediately start to use it to create your own music - just add a PC and it couldn't be easier to get going. You'll be able to record from your ZED mixer, create tracks and arrange songs, then play back to ZED via the USB port. You can use SONAR X1 LE and your ZED mixer together in many ways - e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop. Key Features • Powered by SONAR X1 • 32 audio tracks • 64 MIDI tracks • 8 simultaneous inputs and outputs • 24-bit\/96 kHz audio quality • 24 simultaneous effects • 8 simultaneous virtual instruments"

使用XLR和S\/PDIF连接，M-OneXL特别适合活动应用程序。它不仅包括一系列世界级的TC动词，而且还提供了专为实时声音设计的新算法。它还提供，压缩机，限幅器，延迟，和弦，参数EQ's，法兰，门，扩展器，设计，颤音，和相位器。车牌1和2 最基本的音响混响在M-One XL是\非数字\，机械的声音，使金属车牌多余:创造人工反射典型发现\旧机械\混响!盘1和盘2在鼓和声道上特别好。房间著名的TC电子房间混响产生大量不同大小和表面的房间设置。房间的混响使你的音乐生动起来，添加最终的现实主义和纹理到你的混合。预置 M-One XL装有200个高级工厂预置，涵盖几乎所有可以想象的应用。最重要的是，M-One可以在用户银行中存储多达100个你最喜欢的预置。当您对预置满意时，只需按下存储键保存即可。它是如此简单，以至于你几乎忘记你实际上是在做预置!简而言之，M-One XL为您提供了所有的工具，您需要的，无论何时您想要创建质量效果如调制和音高效果以及EQ, De-esser和动力学!鼓动词制作一个鼓包，特别是小军鼓，使用混响已经成为流行\/摇滚多年来的标准。在听力条件完美的录音室里，有很多选择。在PA的情况下达到同样的效果是完全不同的故事。高密度混响在扩音系统中往往会消失。使用的\Live\类型混响的M-One XL将给你准确的颗粒级必要的实现这一特殊的效果。Live\混响非常适合简短和快速的小snare混响，以及大民谣3.0秒的汤姆混响。大主音人声大主音人声经常被一个很好的调音大厅支持，甚至可能有一些延迟。将这两种效果完美地结合起来可能有点困难。延迟重复的事实继续重复原始干源，即使在混响衰减后，使延迟突出作为一个单独的效果。使用M-One XL \并行\/串行\路由允许您使用两种延迟，与精确的抽头控制，和高密度混响与独立的输入，同时馈送延迟重复到混响，允许更大的整合两种效果。环境声增强在现场混音中使主声声音既清脆又呈现不总是容易的。把音量调大，保持中性频率，会让声音浮在音乐上。使用M-One XL的氛围混响有助于这种特殊情况。高密度的早期反射和短暂的衰减，将为声音增加足够的亮度和光芒，而不影响频率响应。

便携性和便利性是重要的标准，一个基于高性能雅马哈emx系列动力混频器的系统绝对是走的路。在一个集成的便携式单元中，你有一个混频器来组合和平衡你的麦克风、仪器和线源，效果来完善和抛光你的声音，动力来驱动主扬声器，甚至是监视器扬声器。EMX512具有32位SPX FX与可选的脚开关控制，双模式放大器，压缩器在每个单声道，反馈通道定位系统的识别问题通道，雅啊哈扬声器处理，以及更多。混合通道:4个单声道+ 4个立体声+返回辅助:1(效果发送)主:立体声输入通道功能 CH1-4压缩机，3波段PEQ CH5-8: 3波段PEQ 车载处理器:SPX 2x 7波段GEQ YSProcessing Mic输入:8 幽灵功率:+15V DC;开\/关线输入:4x立体声控制:脚踏开关待机(全静音)最大输出功率@ 4欧姆:500W\/ch 输出选择:L\/R L+R\/显示器"

便携性和便利性是重要的标准，一个基于高性能雅马哈emx系列动力混频器的系统绝对是走的路。在一个集成的便携式单元中，你有一个混频器来组合和平衡你的麦克风、仪器和线源，效果来完善和抛光你的声音，动力来驱动主扬声器，甚至是监视器扬声器。EMX212的特点是32位SPX FX与可选的脚开关控制，双模式放大器，反馈通道定位系统的识别问题通道，雅aha扬声器处理，以及更多。混合通道:4个单声道+ 4个立体声+返回辅助:1(效果发送)主:立体声输入通道功能 CH1-4压缩机，3波段PEQ CH5-8: 3波段PEQ 车载处理器:SPX 2x 7波段GEQ YSProcessing Mic输入:8 幽灵功率:+15V DC;开\/关线输入:4x立体声控制:脚踏开关待机(全静音)最大输出功率@ 4欧姆:220W\/ch 输出选择:L\/R L+R\/显示器"

EMX5014C是一款多功能混频器，它将高性能混频器、功率放大器、图形均衡器和数字效果单元封装在一个紧凑、便携式控制台式单元中。它是机架，便于携带，适合广泛的用途。EMX5014的特点是SPX FX，轻23磅的重量，6个简单的单旋钮压缩机，反馈通道定位，待机模式，双模放大器，可选的机架耳，和雅aha扬声器处理音乐会俱乐部和BR系列扬声器。混合通道:6个单声道+ 2个立体声+返回辅助:3个(含1x效果发送)主:立体声输入通道功能 CH1-6: HPF压缩机3波段中扫PEQ插入I\/O CH7-10: HPF 3波段PEQ;CH11-14: 3波段PEQ 车载处理器:2x SPX 2x 9波段GEQ YSProcessing Mic输入:8 幽灵功率:+48V DC;开/关线输入:4x立体控制:脚踏开关板上放大器最大输出功率@4ohms: 500W\/ch 最大输出功率@8ohms: 370W\/ch (100V型)350W\/ch (120V型)320W\/ch (220-240V型)输出选择:500W 200W 75W;L \ / R AUX1 \ / MONO AUX1 \ / AUX2

GB8有24到48个频道，每个频道有4个全功能立体声频道和4个立体声回播，是专为教堂和表演场所等设施，或小型巡回音响系统设计的。在MH3和MH4课桌上成功实现的双模拓扑结构允许GB8用于FOH或监控任务，并对组或辅助输出进行fader控制。在GB4上的附加功能包括一个1kHz振荡器和一个有三个led米的米桥，非常接近地模拟了VU米的弹道。四个静音组允许几个频道同时静音，而另一个独特的设施是在记录和备用立体声输出上的限制器，这使创建混音立体声录音更容易。控制台还具有一个输出矩阵，十一个馈电到四个输出，从组总线和主要的L、R和C(单声道)输出馈电。虽然GB8在布局上很大程度上是传统的，但它确实有一些独特的机械特性。坚固的钢底盘有一个倾斜后连接器面板，使它更容易配置从前台的桌子，而整体电源有一个外部备份PSU的链接选项。正如您所期望的，GB4和GB8桌椅都是高品质的标志，音响工艺是工程和设计的同义词。仔细注意已给予机械结构，以确保在艰苦的条件下的可靠性，与所有输入模块被建造与个别垂直安装的pcb，安装到钢底盘的前面板与个别螺母电位。 GB系列还分享了时髦的外观的MH4, MH3和LX7ii主机，继续强大的家族外观和感觉横跨范围。模拟\/数字:模拟帧大小:24 立体频道:4 数字I\/O:无 FX处理器:0 组:8 EQ波段:4 辅助发送:8 返回:5 直接输出:是矩阵输出:4 主总线输出:LRC"

GL2400是一个紧凑的，双功能，LR, Mono sum, 4组，6 aux, 7x4矩阵控制台。帧大小范围从16到40个频道，包括2个双立体声频道。 GL2400是一个混合经典，行业标准的场所和雇佣仓库在全球范围内。GL2400是一款极致的4组双功能混合器，它是为最新的现代工程技术而设计的，在这款独特的小足迹混合器中，每一个细节都经过仔细考虑，以提供最佳的混合体验。

GL2400是一个紧凑的，双功能，LR, Mono sum, 4组，6 aux, 7x4矩阵控制台。帧大小范围从16到40个频道，包括2个双立体声频道。 GL2400是一个混合经典，行业标准的场所和雇佣仓库在全球范围内。GL2400是一款极致的4组双功能混合器，它是为最新的现代工程技术而设计的，在这款独特的小足迹混合器中，每一个细节都经过仔细考虑，以提供最佳的混合体验。

GL2400是一个紧凑的，双功能，LR, Mono sum, 4组，6 aux, 7x4矩阵控制台。帧大小范围从16到40个频道，包括2个双立体声频道。 GL2400是一个混合经典，行业标准的场所和雇佣仓库在全球范围内。GL2400是一款极致的4组双功能混合器，它是为最新的现代工程技术而设计的，在这款独特的小足迹混合器中，每一个细节都经过仔细考虑，以提供最佳的混合体验。

"GL2800 is a compact, dual function, LR, M, 8 group, 10 aux, 12x4 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels. • 2 extra dual stereos provide 4 summed or independent stereo returns • Fully featured 12x4 Matrix • Proper dual functionality for FoH\/Monitor mixing • Recording capable with channel direct outputs • M can be used for centre\/sub mix, LR mono sum, or engineers wedge • Matrix external inputs with level trims and common input capability • Stereo channel mic inputs can cross patch into matrix for ambience feed • Responsive 4 band, 2 sweep EQ • 100Hz channel high pass filters • Individual phantom power and polarity switching • Wide angle channel and master meters • Dedicated stereo monitor meters • Per channel pre\/post fader aux switching for full flexibility • Recessed pre\/post-EQ aux switching per channel • Internal jumper plugs for aux, direct out and other options • Mutes on all fader masters • 100mm dust protected faders • Assignable talkback to all outputs, includes a talk switch latch mode • 1kHz oscillator \/ pink noise generator with patchable external output • 2-track monitoring and replay to LR • 3 headphones\/earpiece sockets and local monitor outputs • Electronically balanced XLR outputs with +26dBu drive capability • Preamp 74dB range with +34dBu input capability for mic or line • Ultra low noise mix head amp design • Uses RPS11 high performance external linear power supply • Built-in combiner for redundant backup supply • Individual circuit card assembly with nutted pots • Sys-Link V2 console input\/output linking option • 4-pin XLR lamp sockets - Allen & Heath LEDlamp available"

"GL2800 is a compact, dual function, LR, M, 8 group, 10 aux, 12x4 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels. • 2 extra dual stereos provide 4 summed or independent stereo returns • Fully featured 12x4 Matrix • Proper dual functionality for FoH\/Monitor mixing • Recording capable with channel direct outputs • M can be used for centre\/sub mix, LR mono sum, or engineers wedge • Matrix external inputs with level trims and common input capability • Stereo channel mic inputs can cross patch into matrix for ambience feed • Responsive 4 band, 2 sweep EQ • 100Hz channel high pass filters • Individual phantom power and polarity switching • Wide angle channel and master meters • Dedicated stereo monitor meters • Per channel pre\/post fader aux switching for full flexibility • Recessed pre\/post-EQ aux switching per channel • Internal jumper plugs for aux, direct out and other options • Mutes on all fader masters • 100mm dust protected faders • Assignable talkback to all outputs, includes a talk switch latch mode • 1kHz oscillator \/ pink noise generator with patchable external output • 2-track monitoring and replay to LR • 3 headphones\/earpiece sockets and local monitor outputs • Electronically balanced XLR outputs with +26dBu drive capability • Preamp 74dB range with +34dBu input capability for mic or line • Ultra low noise mix head amp design • Uses RPS11 high performance external linear power supply • Built-in combiner for redundant backup supply • Individual circuit card assembly with nutted pots • Sys-Link V2 console input\/output linking option • 4-pin XLR lamp sockets - Allen & Heath LEDlamp available"

"GL2800 is a compact, dual function, LR, M, 8 group, 10 aux, 12x4 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels. • 2 extra dual stereos provide 4 summed or independent stereo returns • Fully featured 12x4 Matrix • Proper dual functionality for FoH\/Monitor mixing • Recording capable with channel direct outputs • M can be used for centre\/sub mix, LR mono sum, or engineers wedge • Matrix external inputs with level trims and common input capability • Stereo channel mic inputs can cross patch into matrix for ambience feed • Responsive 4 band, 2 sweep EQ • 100Hz channel high pass filters • Individual phantom power and polarity switching • Wide angle channel and master meters • Dedicated stereo monitor meters • Per channel pre\/post fader aux switching for full flexibility • Recessed pre\/post-EQ aux switching per channel • Internal jumper plugs for aux, direct out and other options • Mutes on all fader masters • 100mm dust protected faders • Assignable talkback to all outputs, includes a talk switch latch mode • 1kHz oscillator \/ pink noise generator with patchable external output • 2-track monitoring and replay to LR • 3 headphones\/earpiece sockets and local monitor outputs • Electronically balanced XLR outputs with +26dBu drive capability • Preamp 74dB range with +34dBu input capability for mic or line • Ultra low noise mix head amp design • Uses RPS11 high performance external linear power supply • Built-in combiner for redundant backup supply • Individual circuit card assembly with nutted pots • Sys-Link V2 console input\/output linking option • 4-pin XLR lamp sockets - Allen & Heath LEDlamp available"

金封系列安瓿瓶为承包商提供了灵活的解决方案，而不需要输入模块。他们有4 XLR mic in，电话in, aux in，听觉兴奋器，声学EQ\/反馈控制，幻影功率，aux fade back，输入静音，和更多。

金封系列安瓿瓶为承包商提供了灵活的解决方案，而不需要输入模块。他们有4 XLR mic in，电话in, aux in，听觉兴奋器，声学EQ\/反馈控制，幻影功率，aux fade back，输入静音，和更多。

金封系列安瓿瓶为承包商提供了灵活的解决方案，而不需要输入模块。他们有4 XLR mic in，电话in, aux in，听觉兴奋器，声学EQ\/反馈控制，幻影功率，aux fade back，输入静音，和更多。

在Ashly ne24.24m DSP主机上增加逻辑输出触发远程设备

"MG series mixers are lightweight, portable designs. CX models feature 16 editable SPX digital effects that can be activated via optional footswitch. Other features include 3-band EQ, 4 stereo inputs, 3 aux sends, illuminated channel On switches, phantom power, external power supply, inserts, and more. Built-in SPX Digital Effects There's an astonishing amount of signal processing power packed into the compact chassis of the MG \"CX\" mixers. They incorporate a versatile digital multi-effect processor that provides a range of reverb, delay, modulation, and distortion programs you can use to refine and define your sound. Each of the 16 effect programs has a number of editable parameters as well as effect on\/off switching capability and return level control. You can even blend the effects into the aux sends for quot;wetquot; monitoring, so the performers can hear the effects too. If you need to keep both hands free to play an instrument or perform other operations, an optional footswitch can be connected to the mixer's effect footswitch jack for convenient on\/off switching. Versatile Connectivity and Pro-class Connectors Top-mounted input and output connectors make setting up and re-patching your system quick and easy. All models feature high-quality Neutrik™ balanced XLR connectors on mono microphone\/line channels and XLR-equipped stereo channels. These professional-class connectors were subjected to extensive testing by the Yamaha design team, and were chosen for the MG mixers for their superior reliability and sonic qualities. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channels provide phone jack and pin jack connectors for compatibility with a wide range of sources. Mono input channels also feature insert I\/O connectors that let you patch external signal processing gear into those channels as required. Separate pinjack 2TR inputs are provided to accept the output from a CD player or similar stereo source. Built-in Channel Compressors This advanced feature can be a tremendous advantage in achieving great vocal sound, as well as to refine the sound of bass, guitar, and other sources. You won't find built-in channel compression on too many other mixers in this class, but in the new MG mixers you have Yamaha's innovative one-knob compression feature on several of the mono input channels. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and timeconsuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.High-performance Microphone Preamplifiers with Switchable Phantom Power Microphone preamplifiers are critical in any mixer, and a performance bottleneck in many. That's why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. Gain trim covers a wide - 60dB ~ -16dB range for microphones (-34dB ~ +10dB for line input), so you'll be able to achieve optimum level matching with just about any source. All microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones. 3-band Channel EQ and High-pass Filters Building a truly useful, musical-sounding channel equalizer is no easy task, but Yamaha has decades of experience in building pro consoles to draw on. You reap the benefits in the MG series mixers: all mono channels feature 3-band equalizers with LOW, MID, and HIGH controls. Depending on the model some of all of the stereo channels have 2-band EQ for smooth equalization of stereo sources. Although not directly related to the equalizer circuitry, all inputs also feature 80 Hz low-pass filters that can be used to eliminate subsonic noise that is outside the equalizers' range. Bright Meters for Visual Level Monitoring Accurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read multi-segment LED meters make it easy to control system levels for optimum overall performance. Easy Operation All switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback."

"MG series mixers are lightweight, portable designs. C models feature simple one-knob compression controls on key channels to achieve great vocal sounds. Other features include 3-band EQ, 4 stereo inputs, 3 aux sends, illuminated channel On switches, phantom power, external power supply, inserts, and more. Versatile Connectivity and Pro-class Connectors Top-mounted input and output connectors make setting up and re-patching your system quick and easy. All models feature high-quality Neutrik™ balanced XLR connectors on mono microphone\/line channels and XLR-equipped stereo channels. These professional-class connectors were subjected to extensive testing by the Yamaha design team, and were chosen for the MG mixers for their superior reliability and sonic qualities. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channels provide phone jack and pin jack connectors for compatibility with a wide range of sources. Mono input channels also feature insert I\/O connectors that let you patch external signal processing gear into those channels as required. Separate pinjack 2TR inputs are provided to accept the output from a CD player or similar stereo source. Built-in Channel Compressors This advanced feature can be a tremendous advantage in achieving great vocal sound, as well as to refine the sound of bass, guitar, and other sources. You won't find built-in channel compression on too many other mixers in this class, but in the new MG mixers you have Yamaha's innovative one-knob compression feature on several of the mono input channels. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and timeconsuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want. High-performance Microphone Preamplifiers with Switchable Phantom Power Microphone preamplifiers are critical in any mixer, and a performance bottleneck in many. That's why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. Gain trim covers a wide - 60dB ~ -16dB range for microphones (-34dB ~ +10dB for line input), so you'll be able to achieve optimum level matching with just about any source. All microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones. 3-band Channel EQ and High-pass Filters Building a truly useful, musical-sounding channel equalizer is no easy task, but Yamaha has decades of experience in building pro consoles to draw on. You reap the benefits in the MG series mixers: all mono channels feature 3-band equalizers with LOW, MID, and HIGH controls. Depending on the model some of all of the stereo channels have 2-band EQ for smooth equalization of stereo sources. Although not directly related to the equalizer circuitry, all inputs also feature 80 Hz low-pass filters that can be used to eliminate subsonic noise that is outside the equalizers' range. Bright Meters for Visual Level Monitoring Accurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read multi-segment LED meters make it easy to control system levels for optimum overall performance. Easy Operation All switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback."

这款模拟\/数字混音器给了我们足够的理由来切换到数字。以计算机为基础的dj想要一种替代的方式来移动数字音频\从和到声卡，同时保持最大的保真度。该DN-X900提供4同轴数字输入24位数字处理和2数字输出，为CD-R燃烧器或计算机的记录目的与一个独特的轨迹标记ID功能!坚如磐石的结构，卓越的音质，高质量的部件和可靠性是核心设计成分。独特的功能提供移动和俱乐部dj的灵活性和直观的控制。八通道输入矩阵路由给自由移动任何源到任何通道或相同的源到多个通道重新混合。前fader水平计量和增益控制和长60mm平滑通道fader是单独更换与可选旋钮(ACD-46)。三波段EQ与全输出杀死，摊位输出与通道选择，2麦克风输入与talkover灵敏度和效果发送/返回提示，干\/湿旋钮和通道选择，使这是您一直等待的混频器。

a - 16cs控制表面允许a - 16r个人混频器安装在机架与电源放大器，无线发射机，效果等，同时仍然允许表演者有完全控制混合功能和预置。此外，A-16CS提供直观的控制基本混合功能的系统在非性能设置。 A-16CS的用户界面类似于A-16II个人混频器的用户界面，提供对频道音量、分组、pan、立体声传播以及主音量和音调的控制。可从a - 16cs 远程保存和召回多达16个混合快照(存储在a - 16r中)，以便免提操作，a - 16cs还包括一个脚开关插孔，允许表演者使用标准的双键盘脚开关来选择混合预置。 A-16CS通过标准Cat-5e电缆连接到A-16R，使用内置在A-16R和A-16CS中的a -控制插孔。a -控制电缆的长度可达200英尺(61米)。

"TWO PROCESSORS. TWO UNIQUE APPLICATIONS. ONE RACK SPACE. 32 LEGENDARY LEXICON® EFFECTS. ENDLESS POSSIBILITIES. Whether you're looking for raw processing power with instant front-panel access for live performance, or seeking rich, smooth and complex processing algorithms in the studio, Lexicon® brings the best of both worlds together in the MX200 Dual Reverb\/Effects Processor. Designed with both live sound reinforcement and home recording in mind, MX200 features the deep, rich reverb and effects algorithms that built the Lexicon legend, and adds increased versatility with specialty effects and dbx® dynamics. Each of the 32 stunning reverbs and effects - and their parameters - are all instantly accessible within a single button push or knob turn on the intelligently designed front panel without wading through bank after bank of tedious menus. Add powerful Editor\/Librarian and VST® \/ Audio Units software, and bring 35 years of Lexicon heritage to your desktop. STUDIO OPERATION In the studio, advances in computer-based recording have led many engineers to value the instant control and heads-up use of plug-in effects - but many still yearn for the rich, complex sound found in a dedicated hardware processor. Now, Lexicon provides a USB interface with intuitive cross-platform VST® and Audio Unit plug-in windows, allowing the MX200 to function as a \"hardware plug-in\" - recognized and functioning within VST and Audio Units-compatible DAWs as a plug-in effect, but still operating as a dedicated hardware unit. This unique USB plug-in feature allows users to easily control the MX200 in their computer-based recordings within the graphical interface that appears in the recording application like a plug-in, with full automation and recall features. Now software-based recording engineers can stay focused on the heart of their studio - the application window of their recording software. A powerful cross-platform Editor\/Librarian software package is included as well. MX-Edit™ lets you create, edit, compare, save and load reverb and effects programs for use with your MX200 on your Mac® or Windows® XP computer. LIVE OPERATION Those using the MX200 in the live arena will appreciate its intuitive front panel layout, with an Active Reverb\/Effects Matrix that constantly displays which two of the 32 available effects are active, and all functions available within a single button-push turn of a knob. Dual independent processor control areas with dedicated Effects Select, Tempo, Bypass and three parameter control knobs provide instant access with precise and meaningful control over the most critical parameters for the selected effect. Parameter change LEDs illuminate to indicate any change from the 99 meticulously crafted Factory or 99 User Programs. Choose from five digitally-recorded audio samples to Audition the selected effects. SPLIT PERSONALITY Either way you choose to use the MX200 - live or in the studio - you can choose two legendary Lexicon® reverbs and effects at once in one of four flexible routing options including: Dual Mono, Cascade, Dual Stereo (Parallel), or Mono Split. Featuring 99 carefully crafted Factory programs, and 99 User programs that allow you to create your own legendary effects. Front panel controls include Input Level, Mix 1 and Mix 2 Wet\/Dry controls, Routing button, independent Tempo, Bypass and 3 control knobs for each Processor, Program Select knob, Audition button (to preview the selected effect) and Store button."

"The versatile Atlas Sound TSD-RL21 2x1 mic\/line mixer is ideal for applications where paging, public address, and BGM music is required. Use as a standalone remote mixer or in conjunction with Atlas Sound power amplifiers in applications such as conference center meeting rooms, football stadiums, gymnasiums, retail\/hospitality or other areas requiring versatile, multi-source mix control. Channel one may be configured via rear panel dipswitch to accommodate mic or line level while channel two features a stereo summing RCA line level input. Both inputs are adjustable by front panel controls with removable knobs, which may be easily replaced by security, covers to prevent tampering. The remote level control feature allows use of the Atlas Sound AAVC-10K (or equivalent) decorative wall plate control for convenient remote adjustment of either the entire mix bus or RCA input 2 only (the typical BGM input). The TSD-RL21 is highly efficient and meets Energy Star standards as one 24V DC power supply (available separately) can power multiple Atlas Time Saving Devices. Unbalanced Input Impedance: 10KO Input Level: 316mV (-10dBV) = 2V (+6dBV) Balanced Output Balanced Input Impedance: 1.2KO Balanced, 600O Unbalanced Line Input Level: 1V (0dBV) Balanced 2V (+6dBV) Balanced Output Mic Input Level: 46dB Gain 10mV (-40dBV) Balanced = 2V (+6dbV) Balanced Output Balanced Line Output Impedance: 300O Balanced, 150O Unbalanced Line Output Level: 1V (0dBV) In = 2V (+6dBV) Frequency Response: 20Hz - 20kHz (+\/-1dB) THD: .06% & 1kHz Signal to Noise Ratio: Line to Line 85dBV Signal to Noise Ratio: Mic to Line 70dBV 24VDC Power Requirements: 60mA"

Samson的TXM桌面电源混频器功能录音控制台规格，工作室的质量效果和功率负载，设计作为一个便携式但强大的现场声音应用解决方案。TXM16是一个16通道功率的混频器，可选择功率放大器模式设置为500瓦的功率每通道，或1000瓦的桥接单声道。它具有8个高质量的麦克风前置放大器与幻影功率，通道插入和低削减滤波器。1\/4寸手机和免提®输出。3波段EQ预通道，3 Aux发送，和一个内部24位效果处理器与100预置程序。有1立体声9波段图形EQ为mains加1单声道9波段图形EQ为监视器，和一个单声道子输出与可变低通滤波器。一个大型金属抓手手柄和机架安装工具包的TXM16包括使它完美地适合固定安装。

Samson的新的TXM动力桌面混音器功能的录音控制台规格，工作室质量效果和电源负载，设计作为一个便携式但强大的现场音响应用解决方案。TXM20是一个20通道供电的混频器，可选择功率放大器模式设置为500瓦的功率每通道，或1000瓦的桥接单声道。它具有12个高品质的麦克风前置放大器与幻影功率，通道插入和低切割lters。1\/4寸手机和免提®输出。3波段EQ预通道，4 Aux发送，和双内部24位效果处理器与100预置程序。有一个立体声9波段图形EQ为mains + 1单声道9波段图形EQ为监视器，和一个单声道子输出可变低通lter。所有这些加上一个大的金属提手使TXM20同样适合演奏的音乐家或盒装安装。

MDR1064是一个10通道混频器与6低噪音麦克风前置放大器。6个mic\/线输入和两个立体声输入，每个功能3波段均衡器加上两个aux发送。MDR1064的主部分包括两个立体声aux返回和一个用于播放立体声设备和录制混音的2轨输入和输出。MDR1064拥有干净、清晰的声音再现、甜美的均衡和灵活的信号路由，确保了从性能到性能的可靠、高质量的声音。优化为录音，现场强化和商业安装，MRD1064是一个理想的混合解决方案提供大的声音在一个紧凑的包。与Samson的所有MDR混频器一样，MDR1064具有先进的电路设计，使用离散组件和高质量、低噪声运算放大器，在信号路径的每个阶段都经过精心挑选，为您提供最大的动态范围和透明的音频信号，为您的现场或录制的音乐。